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时间:2020-05-29 07:34:13 作者:搜狐体育社区 浏览量:65266

AG88导航网【ag88.shop】环亚官方 UB6I2d3FFor 50 yea\r】s an Israeli【 o【il comp【【any has 】kept bathers 【off a Red Sea bea/ch near】 t/he resort of Eilat bu】t \it co【/uldn’t 】stop sea life from flouri\shing.I【n a wor\ld where co】【r】al r】eefs are s】hrink\ing rapidly, the one \in Eila\t has grown.Due/ to /a lack of human interf】e【rence,】 a spectacular /coral reef blo/】sso】med o】v【er time attracting exotic /fi】sh \and/【 dolphins to th/is 【aquatic paradi\se.The 300-me\tre-long be】ach was handed back to the publi\c a year an/d a half ago after the】 Eilat Ashkelon P【ipeline 】Company (EAPC) 【scaled back it\s operat】io【ns.Now, with access lift【【e/d, int】erest is /mounting 【f\rom scuba divers \an\d tourist】s/ alike w/ho want【 to vi】sit.In response, Israel's Na/ture and Par/ks Authority decided to relocate the cora\ls for their own pr/otecti】on so \the /ind】ustri/al de/bris left /】】by E【APC\ could be removed.S【hare this articleCopy/paste】 t【he article 【video embe】/d link below:CopyShareTweetSharesendS】hareTw】eetSharesendMoreHideShareSendSh【areShare\ShareSendSh/areShareY/ou\ might also 【like 】 '\;Israel is no l/onger a democracy�】9;: Netan\yahu accused of exp【loi】ting coron/avirus to sa/ve career 【 / 】 \】 / / Israel e\】lection: Exit p/olls give Netanyah】u nar\r/ow/ lead / 【 \ \ 】 】 】 / 】 \ \/ / 】 】 Palestinian P\resident Ab】bas cu】ts ties with Israel a】nd US 】over peace plan / More aboutCora/lsIsrael\Envir【onmentEnvironmental protectio【noil 【industry】Touri\sm Browse today's tag】sI9mZ

4hjBThe Eu/rop【ean Union 】h\as stepped i】n to help small /fi【】shing/ communities 】preserve/ their way of】 life, as y\oung people t\urn away from the job that their for】ebears 】d\id/ for generations.T【he Swedish-/speaking i【s】land commu/nity of Pellin/ki in southern Fi\nland is typical of those t/h【e EU 】is trying to hel/】p.For gen\erati】ons, fishing has been a respec/ted trade an】d a traditio/nal way of life for man/y famili/es. But today, t【he number of local fishers is dwindling. Only a few remain\.One r【e\ason is 】dec【l【/\ini【ng catch】es. The fishers blame an in】cr/easing number of 【predators: seals and cormorants \/】damage the c\age\s and dec】imat\e\ f\ish\/ 【stoc】ks.Good c\atches are no longer guaranteed, and t/\he\】 e】conomic surviv【【al of family-r】un fisheries is becoming increasing\ly uncer】tain.M\ost chil\dren from fi【shin\g families make 】a 】safer choice】 to/ leave/ home and study s【ometh【ing else.As their parents age and】 retire, small-sc/ale fisheries, once\ 【typical in Finland, \go ou【t /of busi/ness. Nationwide, the /numbe【【r of professional fishers ha】s decli\【ned in recent decades/ from 10 to aroun】d 400.【Twen】t/y-se\v】en-year-old Marie Kellgren has been fishing full-time fo/r m\or/e than four years, alt【hough she acknowl/edges that there are no】】t man\y like her."We&/rsquo;re \not m\any - young peop\le \fishing】. \I think 】it’s because it’s 【【physically hard wo【rk, and you don&rs【quo;t know for ho】w many years you c/an do \it. It's a bi【g risk to/ start."She in】itiall/y we【nt to stud】y t\ourism \in Helsink【i but then took up the op】por【tuni】ty of【 a local &ldq【uo;Master-【\【Apprentice" pr/og\ram to l【earn /t】he trade f\rom her /fat】her.\The】 EU-supported scheme provided a s\mall g】rant that allowed Marie to work for a year as an a/pprent】ice 】fisherwoman — without 】putting her fathe】r's business under any further fin】anci/a/l st【ra【in.My\ father 】is a fisherman, 【m\y father’s fat】her was 【a f【ish/erman, an【d my】 fathe】r's f【ather's father was\ a fisherman. /】 】 \ V】iking Kel\lgr/en 】 【 】 Her father, Viking, told Euronews: &ldq/uo;/】My fa\th【er is a fishe】rman, my 【father’s father w】as/\ a fi\sherman】, a\nd my father's f】at/h】er's \father was a\ fisherman. So M】arie/【 is the f【ifth gener】ation fishing here/."Th\e t\raining p/rogram included some th/eory an【d/ 】800 h】o】ur\s of fishing pra\ctice\."I lear】ned how to fish with nets and with trap\s, t/【o take care \of t】he fish, the catch, and to/ prepar\e, to 【salt a】nd to smoke and cold【-s】moke a\nd /make fishcake【s, and marke\tin【g, and all \o\ther st【uff about pay\ing 【b】\ills."The funding 【for the "Master-Ap【】p\rentice" pr\ogram wa【s pr\ovided main/ly by the Euro】pean Mar【itim【/e and Fishe】ri】es Fund, which supports generational rene/wal/】 in Europe's】 f/ishing sector. The idea came from \the local fishing comm\unity i\n Pellinki, when another aspir\ing fisherwoman, Tanja Åkerfelt, was struggling to enter the profess/ion."My fat/her didn&r【squo;t think th【at \was a 【go//od ide】a,” Tanja said. &ldq【uo;That&\rsquo;s when I had to 】talk to】 other fisher【m【en, won\de【r】in/g, how coul/d【 we do【 this.”O】ne /of the fishermen she【 sp/oke to was E】sko\ 】Taanila, who man】ages th/e pa/\rtnership /b【etw\een/ privat\e and public sto【ckhold】ers in】 the loc【al fisheries【【 se】ctor, kn【own as a FLAG &mdash】; Fis【heries Local Actio/n Group.Taanila came up with s/implified 】paperwork &mdash\; a formal【 contract and t/he 【tr\aining pr\og】ram\ for both the mas\t\er a/nd t【he\ appr\entice.Training a【 new 】fis【her costs around 6,000 e/ur/os. Esko says it's an ine【xpensive way to sustain【 professional fishing, which is the o】nly ye\ar-round econom】ic 【activity i/n the Pellinki are【a.T\h【e progr/am is helping to slo【\w the decli\ne of south\ern F/inland's fishing community — but/ it cannot reverse it.T【aanil\a 【said: &ldqu】o;Ever】y time 10 fis\hermen q【\uit, we get one or mos】tly two young peopl/e w\ho 】/are inte【re【sted in continuing."The progr【am has been running f【\or three years. Out of 15 app\rentices, 12 d【/ecided to \keep fishing professionally.That's a hi【gh succ【ess rat\e, but with the g/r】owing seal p】roblem and the fu】ture【 of fis/h s/to\cks uncer/tain,】 these/】 ef/for\ts might not be enough."We 】hav\e to get \new fisherme\n because/ the avera/ge age here is 60 years o/ld,&rdquo\; said Ta/an】il\a. &【ldquo;So if\ \we do nothing, 】it】 wi【ll】 //take only【 five or six years and everybody wil【l have quit. It is ve\ry important that\ we have a【 living fishery in【 ou/r coastal areas.】 Without tha/t,/ it c【ou\ld be a dead ar】ea. And that&\/rsquo;s not n【ic/e."Much furthe【r south, off the coast of the Belgian port of Ostend, the fishing 【tradition is thriving and u\【ndergoi/\ng/ a renewal.With its limite【】d coas\tline【 an/d only six d\oze【n\ fishing vessels, Belgium is\n't a big fi【\shing】 country /—】 but in coastal 【West Flanders/ province, f【ishing tradi】t/ionally played an importan【t role.A lo/cal maritime \scho\ol &ndash【; the Maritie【m\ Instituut Mercator – runs\】 a ded/icated training ship, \wh【ich was renovated with EU he\lp.Built\ in 1967/, the "Br【o\odwinner", /a beam tra/wler, was refi/tted to provide bett】er safety and a gr/eater level of comfort than on t\raditional】 ve\】ssels.Bart DeWae/gen\ar/e, \a teacher at/ t【he Maritiem】 Insti/tuut Mercat\or, said s】tudents get\ esse\ntia/l hands-【【on training. Most of th/em d\on't have the se【a in their blood."I 【think maybe 20 per】 ce\nt are from】 familie/s that did it bef】ore, and 80【 per cent don’t【 even know anything about it. The】\y come/ from big /cities lik【e Antwe/rp and 【B\russels, no\th】】i【ng to do\ with t【he s\ea.&rdq】uo;Stud【ent/s go on eight-hour f/ishing trip】s sta【rting \fro【m the age of 12. By\ 16, 】t】hey spend】 hal】f 】o】f th/eir school ti】m】e at sea.Along with var/ious f/ishing-related skills, they learn navigati/on and marine engineerin【g.Most are /seeking a job in the maritime\ sector,】 but not necessarily in the fis/hing industry, 】where the work is har/d and the/ risk of accidents high./Sami \Tebbouche\, a student, said: "Y】ou 】have to learn to sail the vessel on your own】. You have to wa【ke up at night to repair \t\he net/s. It's tough!"Another student, Seppe DeKinde】r, said the unpredictable n】ature of th】e job】 puts many young 【people off. Fishermen's salaries can be ver/【y high - or low, depe】nding on the catch."It&r【squo;s unp\redictable ho【w much】 you ca【/n earn\ sometimes. That&/rsqu\o;s why a lot 【of p】eople are uncerta【in i\f\ they rea/lly/ want to do it/】. And /also becau【se it’s really h】ard wo】rk. And a【 lot 【of p【eople \have k】i/d\s a/nd stuff, and they don&rsq/】uo;t want to【 leave them behind."\In the 1980s, five vo/cati\o\nal】 sch【ools【 】tr\ained 3【00 pupils a /year to wo】rk in fisheries. Today, only o\ne【 【sch】ool wit【h 40 students 【remains.Teache/rs say /that in the modern era, even high salar】ies and improved【 【/working conditions are n】ot enough to /ma【ke fishing attractive for【 yo【ung peopl】e.The scho【\o/l’s headmaster Jac【ki/e Scherrens said: "I\n th】e /p【ast, when they/ 】were, for example, two weeks at se】a, three days in the 】harbour, but from the th【ree da【/ys yo】u had 】to work】 two \days, and that was no problem. Now, when they a/【re, let&rsquo\;s say, /e/ight day】/s a】t sea, 【four days in /h】arbour, and/ you ha】ve to work one【 or two \days/ &m/d】【ash; they don\&\】rsquo;t wan【t that anymore! S/o it&rsquo\;s【 very difficult【 to attract you\n【g people for it."There /\are hopes th【at/\ si】x new vessels about to】 enter the Be/lgian fis】hing【 fleet will revive interest i\n the profession.1212121【】2121212121Shar\e this a【rticleCopy/pas\te the a/rticle video embed link below:CopyShareTw/eetS】【】】har】esendShareTweetShar】esendMoreHide【ShareSendShareShareShareSendSha】reSha\reYou/ might also l/ike 】 【 /\ The importance of re【sto】ring ma/rine【 b/iodiv】ersi】ty \ 【 M\o/re a【boutFishery/YouthOceanEnvironmental【 protection/ 】Most viewed /\ 【 \ / 【 What i【nfluence on climate is 】the coronavirus lockd\own rea\lly having? 】\/ 】 The new AI system safeguar\ding premature babies from infecti【on \ \ 】 / 】 Mes【sen\ger RNA: the molec\】ule that may teach our bodies to beat cancer 【 【 / 【 【 Apple and Google say t/hey'/;l\l work together /to t】ra/ce spread of //【c\or\onavirus via s】martphones How EU fundin\g is/ cha/nging \the face of Latvian innovation 】 【 【Brows】e today's【 tags5vI5

MDgTText 【size/A【aAaYou can d/ocument i】t, just like \ten/s of】 thousands of citizens around t】he worl】d /joi/ned \【\】forc\es for thr】ee d】ays to do so.In 2016【 the Nat\/ural History Museum/ of Lo【s/ Angeles County and California\ Academy of Sci/ence/s started a competition between the tw\o\ citi】es. The g/oal was to in\volve citi\zens in documen\ting nature to hel】p them understa\n】d the urban bi\odiversity】 around them. T\he friendly rival【ry between Los An【geles and San Fran】】cisco enc/ouraged a lot of people to compete and use thei/r c【am【【era and smartphone to\ ma】ke wildlife /obse/rvations.The City Nature Challenge became nationa】l by/ 2017 and internati】onal by 2018. La/st year nearl】y 70 c【ities around the wor【\ld were 【taking part in the com\petiti【on. With 17,000 p】eople partic【ipatin/g, /m/o】re than 441,000】 ob\servations were 】made and 8,600 species were captured. Of these pictured【 spec】ies, 599 of them we/r\/e rare, endangered and th/reatened. Th【/is year】, /the【/ Ci【ty Nature \Challenge got 【more\ than 150 c【ities involved.Click on th】e video above to】 l/earn\/【 more about t/】his year【's chal】lenge and o\ne/【 of the\ cities with the highest contribu\tion.】S】ha/r【e this artic\le】 / M\ore from placesI37EciNW

KtFmOver 4,500 peo\ple \planted some 20,000 tree\s i/n /the【 P\ortug】uese capital on \Sun】day.The\ initia\tive was L【is/bon'\s fir【】s【t a】s the European G【reen Capita/】l 202【0.The city is 【aiming to be a hundred percen\t carbon-neutral by 2【050 and aims\ to【 p\lant 1/00,000 trees thr\oug/h】out t】he year."Tree planting helps【 to c【oun/teract\】 one of t】h【e mos/t 】negative effects of cli\mate/ change and global wa】rm\ing, \whic/h is the heatwav【es," Lisbo/n Mayor Fernando【 Medina told repo【rter/s. "When th/ese kinds of ar【eas are 【planted, 】the surrounding【 temperature can drop by three to five degrees centigr\a】de."Apart fro\m【 the 【tit/le,\ Lisbon won a financial prize of/ 350】,000 e\uros from the【 Europea\n \Com/miss/ion】 to kick-start its green capital year.】】"Get organized 【as you hav】e /been 】but【 even mor】【e so 【that you force us the politicians t\o do the right things," European Com/mission/ Vice-【President/ Fran【s Timme\rmans t\old the /audience at the opening】 】c\e【remony to launch the Lisbon initiative.Time to end the【 war\ on natureAt the same c\eremony th【【e UN】 S】ecretary-General, Anton【i\o Guterres, who is Port\uguese, said it was time to get serious about the plane】t./"【\This /ye【ar, in 2】020, we must pr【ovide【 the p【roo/f t【hat we want to end the war】 th/【at humanity ha\/s launched against nature," said Guterres】.Portugal's pres】ident, Marcelo Rebe】lo de \Sousa, says his cou【/ntry】 is betting on green, betting】\ on the environment【 and betting o\n facing 【clima\te change a【\nd \g\loba\l war\ming.To that end, Lis】bo】n will be launching en【vironme【ntal initiatives t【hroughout 2020.Share this artic】l\eCopy/paste the articl/e 】video embed【 link belo\w:C\opyShareT【weetSharese【ndShareTwee】tShares】【endMoreHideSh】areSendShareShareSh/are\SendShareSh\areYou might also like 】 】 \ 【 Land ahoy! Greta Thun】berg arrives in Lisbon \/after Atlantic cr】ossing /【 【 【 Want to fig\ht climate ch/a【nge? Start with challenging your/ mayor and【 your /neighbo【urs 】t【o act【 ǀ 】View \ \ 】 \ 】 \ 】】 The EU co\uld face a wo\r】se p】andemic than COVID-19 if it 】waters down its Green Dea】l ǀ View 】 【 】 Mo】re aboutEnvironment/al【 protectionclimate changeGlo/【bal wa\rming and climat【e】 changeLi/【sbonClim】\ateHot TopicLearn mo\/re about 】 Glo\bal \warmi【ng and climate change Hot Topic】Learn more about Glo/bal warming a】nd cl【imate chang/e 】 / Browse】 today's t】agsxiSg

IefmMont Saint M】ichel\ recla/ims/ isl】a/nd-li【ke character \after year/s of major constru\ctionmpNI

A6nwA】ngela Me【rk\el wants\】 Germany to aim to \n\eutrali/se gas e【missions by 2050jtqS

Text sizeAaA\a&/ldquo;/It’s \unfa【ir t\o say they are jumping 】on t】he ba/n/dw/\agon, 】natur【e documentaries have always \been motivate\d by conse\rvation.” 【Sa【t in his office at University Col】le/ge L/ondon, lec】ture【r in/ sci/ence communication, Dr Jean-Baptiste Gouyon\/ expla】ins to /me \how nature documentaries/ have come \full circle by\ embracing th\【eir roots in envi/ronmentalism.【 In the early days of TV【, he reveals, f\ilms a\bout/ animals\ helped】 to estab【lish th\is brand new medium【 as 【/a source】 of trustworthy informa/tio/n. Docum】enting and catalo【】guing biodiversi】t\y, they told 【timeless stories of 】creatures no\/t s【o dissimilar to u/s.“Befo【\re \Attenborough was Atten/borough, it w/as common to see scientists 【at work,” Gouy/on says, but things began t\o change】/ as the \century wore on. With the i】nc】\reasing doom and gloom of environmen/tal cris/is loo【min【g ov\er the general 【population, film【makers rejec【ted 】stories abou【t wh\at was】 reall】y h\appenin】g to 【th/e pla【net. “\The【re 】was a documented reluctanc【e to eng【age with envi【ronmental is】sues, they d】idn&rsqu\o;/t】 wa\nt to push audiences 】away.”D】avid Attenbo【rough \makes a spee】ch /at /a cerem】on】y f/or \t/he\ naming of the RRS Sir 【D】avid Atte【nboro\ughAsadour Guzelian/ASSO【CIATED 【PRES【\/SAsadour GuzelianDuring the【 1990s, however, things began to change. “A s【hift in the cultural context has happe】ned and t】here is more acceptance \that 【we are in a bad sit\uation.” Having been bombarded with years of ongoing【 catastrophe, pe/o/ple had becom【e too w//】ell informed to keep tolerating a\【 w】a】te\red-down /version of【 the t【ruth. It has beco/me imposs】ible to ignore /he】/ says, “the state of【 the】 \plane/t i【s wh/at /it i【s.&【rdquo;Now 】we&rs】【qu\o】;re hooked. 14.1 million people watched\ the BBC&/rsquo;s【 27 series, Blue Planet II mak\ing it the】 most-watch【ed 】T\V prog】\ramme in Britain that 】year, /a\ccordin\g to the BBC. Natural history】 persona】/\li】ties lik\e David Attenborough have 】bec/ome big 【stars, successfully\ transf】/orming from amateur ecologists to/ folk hero【es for those p】lagued by eco-anxiety. We have beg\un to recognis【\e the p【ower of /t\he e】nvironme/nt/al film and\ its potential make us \think a lot harder a/bout t/ackling proble/ms lik【e plasti】c pollution.Waste from wors】h【i//p: solvin\g Indi\a's unique river pollution p】【roblemWATCH | Shrink【ing pelican b/reeding grounds restored after BP\ 【oil spillSerbia will plant 1 billion tre】e\s\ in【 o【rder to reach net zero t\ar\get by 205【】0The 】power of movi/ng pictu【res“There is no doubt that film as a mediu】m has massive power to elicit/ an emotional rea\ct/ion,】&rdq】uo; says\ Gouyon\, “but there isn’t 】really any】 hard evidence to/ prove this yet.&r】dquo【; More s/o than the\ writt】en w【ord, these documentaries 】seem to pique our interest/ in the\ p/lanet and poten】\ti/ally even d】rive/ 】us to take action. A sur/\vey of U】K superm/arket/ shoppers found th【at 88】 per】ce\//nt o【f people【 who watc】hed Blue Plan】et II\ had \changed their behaviour \as a resul【t.After watching th\e \series\, Da\río Fern&aa\cute;ndez-Bellona, a postdoctoral rese【archer at Univers】ity College 】Cork, noticed th【at th/e programme w】as consistent/ly \tr\ending on twitte/r the evening】 it aire】d. He started to wonder just how much these\ 】docum【entaries are able to affect our behavio\ur. Using 3000A\ctivists【 are】 raising funds to save Danish wooden 】【boat】s twee\ts and figu】res for v//isit/s to the Wiki/pedia 】pages 】of the animals f/eatured in【 the series, he a/nalysed this data to see what, i/f any\, /patter\ns of behav】iour were influenced by watching the show.His rese\】arc【h fo\und /that 【just 6 percent 【of th\e actual programme 【wa【s about envir【onmental issues a】nd/ a m/【er\e 1 【percent of tweets me/ntioned these t\o】pics.【 T\hese figur【e/s/ didn&rs/quo;t/ look promisi\n】g. Docu】mentar】i】es clearly a\ren/&rs】quo】;t/ usel/ess for conservation, howe/ver, as they \al\ter ou【r perception of wi\ldl【if】e in other 【ways. The Wikipedia pages for each of the【\ animals that appe\ared 】\in episodes of Blue Plane/t【 2 had an annual spike】 【/in visits imm【ediat【ely f】】ollowing the【 broadcast of/ the s【how. Ev\e/n this s/mall connection with nature could be enough to create 【an awa/ren/ess crucial to avoiding /【an exti/nction.One of the mos\t successful elem\en/ts of the moder\n nature】 docume/ntary is t\he &ld//quo;ma【king-of&r【dquo; segment. Usually a short section】】 s【eparate【 from the main show t】h\at reveals how/【 s【ome】 of the scenes we】】re shot, the “making-】of&】rdq【uo;\ le【ts us s【ee behind】 the \scenes【.【】 It a\lso helps to break dow/n the】【 i\nvisib【le wall bet/ween the viewer and t】h/e animal】s. “Films show /nat\ure with】out \humans,/ not \as somethi】ng t/o en】gag】e with,【&】rdquo; explains Dr Gouy】on, “【the cameraman can be a role model for ordinary people \and express more emot【ional responses.” It h/elps the audien/ce】, /usu】ally tuc】/ked a/way in their living room in increasing\ly u\rban\ised societies, to engage w\ith a world they hav/e bec】ome】 distant from.D/ocumenting the fut】u/】reEngagem【ent is un【do\u【\btedly the best /way to get us to\ care\ more ab/out the state of the planet. I【f we】/ want】 t\o mak【e film\s mor\e effective in the future, Gouyo】n 【【【s【ugges】ts, we nee/【d to encourage that en\gagement by giving the came【ras to local populations to document their own experience/s. &ld/q】uo;We can’t go by the impe】rialist model of Brito/n’s going\ and watching 】wil\dlife.”Portrayals of enviro】nmental i【ssu【/es can have【 different\ effect\s in diff\erent countr【ies.\UnsplashWe /respond 】far b/etter, \it seems, to films about environm【【ental issues that resonate /with our own \life \experie\n】ce\. \A good exa】/mple of this/ is】 the international re/sponse to the d【ocumentary T/he Co\ve.】 The 2009 Oscar Award/-win/ning piece about do\lphin hunting/ 】in Taiji, Japan cause【d indign/【ant outrag\e amon】g west】ern audien】ces. Its thriller-style tr/e【atment of ‘uncove/ring&【rsquo; the practice using spy-cams didn&/rsquo;t/, however, go down we】ll \with/ audiences in t/he \co/\untr【y【 wh】ere\ it was shot an【d many show【ings/ were met with protests.This k【ind of document/ary c/l/early raises a】wareness but\, with\i\n the communities a】ble to acti\vel/y change pr【actices har\mful to the en/vir\onment it rarely has the same impa】ct. Despite /already 】】having risen to astronomical levels o\f popularit】y, there【 is still a lot of scope for t】h\ese programm】es to do more 【fo/】r conservation. Choos【ing to cha】mpion l\oca/l voices co/uld spell the end for popular ec【o-h/eroes like David Attenborough, but it m【ight【 just 【be the kind of convincing many peop\l/e n【eed to take action on cl/i【ma【te change.Share th/\is article M\ore /from l】ife

MN6OThe Eu/rop【ean Union 】h\as stepped i】n to help small /fi【】shing/ communities 】preserve/ their way of】 life, as y\oung people t\urn away from the job that their for】ebears 】d\id/ for generations.T【he Swedish-/speaking i【s】land commu/nity of Pellin/ki in southern Fi\nland is typical of those t/h【e EU 】is trying to hel/】p.For gen\erati】ons, fishing has been a respec/ted trade an】d a traditio/nal way of life for man/y famili/es. But today, t【he number of local fishers is dwindling. Only a few remain\.One r【e\ason is 】dec【l【/\ini【ng catch】es. The fishers blame an in】cr/easing number of 【predators: seals and cormorants \/】damage the c\age\s and dec】imat\e\ f\ish\/ 【stoc】ks.Good c\atches are no longer guaranteed, and t/\he\】 e】conomic surviv【【al of family-r】un fisheries is becoming increasing\ly uncer】tain.M\ost chil\dren from fi【shin\g families make 】a 】safer choice】 to/ leave/ home and study s【ometh【ing else.As their parents age and】 retire, small-sc/ale fisheries, once\ 【typical in Finland, \go ou【t /of busi/ness. Nationwide, the /numbe【【r of professional fishers ha】s decli\【ned in recent decades/ from 10 to aroun】d 400.【Twen】t/y-se\v】en-year-old Marie Kellgren has been fishing full-time fo/r m\or/e than four years, alt【hough she acknowl/edges that there are no】】t man\y like her."We&/rsquo;re \not m\any - young peop\le \fishing】. \I think 】it’s because it’s 【【physically hard wo【rk, and you don&rs【quo;t know for ho】w many years you c/an do \it. It's a bi【g risk to/ start."She in】itiall/y we【nt to stud】y t\ourism \in Helsink【i but then took up the op】por【tuni】ty of【 a local &ldq【uo;Master-【\【Apprentice" pr/og\ram to l【earn /t】he trade f\rom her /fat】her.\The】 EU-supported scheme provided a s\mall g】rant that allowed Marie to work for a year as an a/pprent】ice 】fisherwoman — without 】putting her fathe】r's business under any further fin】anci/a/l st【ra【in.My\ father 】is a fisherman, 【m\y father’s fat】her was 【a f【ish/erman, an【d my】 fathe】r's f【ather's father was\ a fisherman. /】 】 \ V】iking Kel\lgr/en 】 【 】 Her father, Viking, told Euronews: &ldq/uo;/】My fa\th【er is a fishe】rman, my 【father’s father w】as/\ a fi\sherman】, a\nd my father's f】at/h】er's \father was a\ fisherman. So M】arie/【 is the f【ifth gener】ation fishing here/."Th\e t\raining p/rogram included some th/eory an【d/ 】800 h】o】ur\s of fishing pra\ctice\."I lear】ned how to fish with nets and with trap\s, t/【o take care \of t】he fish, the catch, and to/ prepar\e, to 【salt a】nd to smoke and cold【-s】moke a\nd /make fishcake【s, and marke\tin【g, and all \o\ther st【uff about pay\ing 【b】\ills."The funding 【for the "Master-Ap【】p\rentice" pr\ogram wa【s pr\ovided main/ly by the Euro】pean Mar【itim【/e and Fishe】ri】es Fund, which supports generational rene/wal/】 in Europe's】 f/ishing sector. The idea came from \the local fishing comm\unity i\n Pellinki, when another aspir\ing fisherwoman, Tanja Åkerfelt, was struggling to enter the profess/ion."My fat/her didn&r【squo;t think th【at \was a 【go//od ide】a,” Tanja said. &ldq【uo;That&\rsquo;s when I had to 】talk to】 other fisher【m【en, won\de【r】in/g, how coul/d【 we do【 this.”O】ne /of the fishermen she【 sp/oke to was E】sko\ 】Taanila, who man】ages th/e pa/\rtnership /b【etw\een/ privat\e and public sto【ckhold】ers in】 the loc【al fisheries【【 se】ctor, kn【own as a FLAG &mdash】; Fis【heries Local Actio/n Group.Taanila came up with s/implified 】paperwork &mdash\; a formal【 contract and t/he 【tr\aining pr\og】ram\ for both the mas\t\er a/nd t【he\ appr\entice.Training a【 new 】fis【her costs around 6,000 e/ur/os. Esko says it's an ine【xpensive way to sustain【 professional fishing, which is the o】nly ye\ar-round econom】ic 【activity i/n the Pellinki are【a.T\h【e progr/am is helping to slo【\w the decli\ne of south\ern F/inland's fishing community — but/ it cannot reverse it.T【aanil\a 【said: &ldqu】o;Ever】y time 10 fis\hermen q【\uit, we get one or mos】tly two young peopl/e w\ho 】/are inte【re【sted in continuing."The progr【am has been running f【\or three years. Out of 15 app\rentices, 12 d【/ecided to \keep fishing professionally.That's a hi【gh succ【ess rat\e, but with the g/r】owing seal p】roblem and the fu】ture【 of fis/h s/to\cks uncer/tain,】 these/】 ef/for\ts might not be enough."We 】hav\e to get \new fisherme\n because/ the avera/ge age here is 60 years o/ld,&rdquo\; said Ta/an】il\a. &【ldquo;So if\ \we do nothing, 】it】 wi【ll】 //take only【 five or six years and everybody wil【l have quit. It is ve\ry important that\ we have a【 living fishery in【 ou/r coastal areas.】 Without tha/t,/ it c【ou\ld be a dead ar】ea. And that&\/rsquo;s not n【ic/e."Much furthe【r south, off the coast of the Belgian port of Ostend, the fishing 【tradition is thriving and u\【ndergoi/\ng/ a renewal.With its limite【】d coas\tline【 an/d only six d\oze【n\ fishing vessels, Belgium is\n't a big fi【\shing】 country /—】 but in coastal 【West Flanders/ province, f【ishing tradi】t/ionally played an importan【t role.A lo/cal maritime \scho\ol &ndash【; the Maritie【m\ Instituut Mercator – runs\】 a ded/icated training ship, \wh【ich was renovated with EU he\lp.Built\ in 1967/, the "Br【o\odwinner", /a beam tra/wler, was refi/tted to provide bett】er safety and a gr/eater level of comfort than on t\raditional】 ve\】ssels.Bart DeWae/gen\ar/e, \a teacher at/ t【he Maritiem】 Insti/tuut Mercat\or, said s】tudents get\ esse\ntia/l hands-【【on training. Most of th/em d\on't have the se【a in their blood."I 【think maybe 20 per】 ce\nt are from】 familie/s that did it bef】ore, and 80【 per cent don’t【 even know anything about it. The】\y come/ from big /cities lik【e Antwe/rp and 【B\russels, no\th】】i【ng to do\ with t【he s\ea.&rdq】uo;Stud【ent/s go on eight-hour f/ishing trip】s sta【rting \fro【m the age of 12. By\ 16, 】t】hey spend】 hal】f 】o】f th/eir school ti】m】e at sea.Along with var/ious f/ishing-related skills, they learn navigati/on and marine engineerin【g.Most are /seeking a job in the maritime\ sector,】 but not necessarily in the fis/hing industry, 】where the work is har/d and the/ risk of accidents high./Sami \Tebbouche\, a student, said: "Y】ou 】have to learn to sail the vessel on your own】. You have to wa【ke up at night to repair \t\he net/s. It's tough!"Another student, Seppe DeKinde】r, said the unpredictable n】ature of th】e job】 puts many young 【people off. Fishermen's salaries can be ver/【y high - or low, depe】nding on the catch."It&r【squo;s unp\redictable ho【w much】 you ca【/n earn\ sometimes. That&/rsqu\o;s why a lot 【of p】eople are uncerta【in i\f\ they rea/lly/ want to do it/】. And /also becau【se it’s really h】ard wo】rk. And a【 lot 【of p【eople \have k】i/d\s a/nd stuff, and they don&rsq/】uo;t want to【 leave them behind."\In the 1980s, five vo/cati\o\nal】 sch【ools【 】tr\ained 3【00 pupils a /year to wo】rk in fisheries. Today, only o\ne【 【sch】ool wit【h 40 students 【remains.Teache/rs say /that in the modern era, even high salar】ies and improved【 【/working conditions are n】ot enough to /ma【ke fishing attractive for【 yo【ung peopl】e.The scho【\o/l’s headmaster Jac【ki/e Scherrens said: "I\n th】e /p【ast, when they/ 】were, for example, two weeks at se】a, three days in the 】harbour, but from the th【ree da【/ys yo】u had 】to work】 two \days, and that was no problem. Now, when they a/【re, let&rsquo\;s say, /e/ight day】/s a】t sea, 【four days in /h】arbour, and/ you ha】ve to work one【 or two \days/ &m/d】【ash; they don\&\】rsquo;t wan【t that anymore! S/o it&rsquo\;s【 very difficult【 to attract you\n【g people for it."There /\are hopes th【at/\ si】x new vessels about to】 enter the Be/lgian fis】hing【 fleet will revive interest i\n the profession.1212121【】2121212121Shar\e this a【rticleCopy/pas\te the a/rticle video embed link below:CopyShareTw/eetS】【】】har】esendShareTweetShar】esendMoreHide【ShareSendShareShareShareSendSha】reSha\reYou/ might also l/ike 】 【 /\ The importance of re【sto】ring ma/rine【 b/iodiv】ersi】ty \ 【 M\o/re a【boutFishery/YouthOceanEnvironmental【 protection/ 】Most viewed /\ 【 \ / 【 What i【nfluence on climate is 】the coronavirus lockd\own rea\lly having? 】\/ 】 The new AI system safeguar\ding premature babies from infecti【on \ \ 】 / 】 Mes【sen\ger RNA: the molec\】ule that may teach our bodies to beat cancer 【 【 / 【 【 Apple and Google say t/hey'/;l\l work together /to t】ra/ce spread of //【c\or\onavirus via s】martphones How EU fundin\g is/ cha/nging \the face of Latvian innovation 】 【 【Brows】e today's【 tagsWuLG

D1Tb“The lo\nge/r the sup】ply 】chain, the m/ore 【is【 wasted/”ALhs

Qn5dTe【xt sizeAaAaEarl/】ier this\ ye】ar Glasto【nbur】y Fes\tival made hea/dlines b/y annou\ncing t\h\at it wi/ll implement a site-wide ban on plast【ic bottles sta】rt/ing in 2019. All over the world, musi】c festival【s of all【 size/s are becoming \increasi】n/gly c\onscious of their\ ecolog\ic】al footprint.According to P【owerful Thinking, an/ organi【zation that works with festivals t】o l\ower their envir【onment】al footprint, 】i】n the【 United Kingdom alone summer music festivals are resp【onsib】le for ap\proximately 100 kilotons \of CO2 (including audie/nce travel), 23,500 tons of w\aste an】d 5 millio】【n li【ter/s 】of diesel \con【sumpti】o\n.But it/ do】esn’t have to b】e this way\. Mo\re an/d more fe\stivals /are takin【g sustainability and environm【ental co\ns】iderat/ions ve【ry【 se】rio\usly so\/ that you【, the festiva【l-g】oe【r, ca】n party it up the gr\een wa】y. One such【 【f】e【stival is Budapest&rsq】uo;s Sziget Festiva\l, which has won 】Best Li】ne-U/p a】nd /Best Major F\es\tival at 【t\he Europea【n F】estival/ Awards 】sever\al ti\mes. We sat down wit\h】 Akos Do\minus, Sz\iget’s Sustainab】ility Manager for the past 17 ye【ars, to find out what】 】they/&r\squo;r/e doing to【 keep Sziget as green as 】possible. V【iew this post \o/n\ InstagramW\hich re-cup】 d/id/ you ch\oose to take h【ome \wi【th you? :) #sziget #szigetofficial #szigetlove\\revolution #j【ointheloverevolution #\SZIGET2018 #recups】 #/sziget2019 #ec/oA post shared b/y Szi/【get Festival (@sz\igetofficial) on Sep 】1Text si】zeAaAaThere’s no \doubt about it: /art, in its many forms, is so \much mor/e than a \kind /of s】elf-【express】ion. It 】can often be【 a force for good and much-ne/eded \chan【ge. From photography t】o lively discussion and jaw-dropping footage,/ t\hese are【 the exhibitions and documentar/ies on 【climate change around the \world/ to have on your r\a/d【ar f【or May】 2019.A】r\t + Climate/ = Change FestivalWhere】: Various, Melbourne, Australia\When: Until 19 May 2019This exciting initi\ative is a month-long festi】val 】l/ooking at the way】s 】in w】hich a】rt can make\ a diffe/rence in the】 discussion around sustainabi/li】ty and climate change. This i】s/ a s【eries of curated \exhibitions, artist t【alks and lectures w【ith some o【f【 the most p\romi】nent environment and climate ch】a\nge 】scientists, psycho\lo\gists and res【earchers】 /t\hat aims to open \】【up di/s\cussi】on】 on the wa】ys in\ whi\ch art ca】n work a/【\s an a】cti】vism【 to\o【l. This will be running in Victoria,\ Australia, but /man】y of the talks will be\ filmed, mea【ning you don’t】 have to be in the country to get involve/d wi/th this excit/ing moveme\nt.More infoClimate Change: The\ F\/acts with David AttenboroughNet】work: BBC iPla【yerWhen: Ava【ila\ble /from Ap】【ril 2019If you’ve yet to w/atch \t\his grou】ndbr【eaking BB【C /docu\ment【ar】y, now&rsquo\;s the ti\me. Presented b】y\ t】he world&rsq\uo;s】 most/】【 】resp】ected wi\ldlife doc】ume\ntary m【aker, Dav】id Attenborough cuts through the fake news】 and confu/si】ng statist\ics\ to/ bring 【us the tru】th about what is \act\ually happening to】 \our environment/\. In th】is 】hour-long progr\/amme, issues s】uch as/ sp/ecies extinction【s, deforestation and extreme wea\ther a【re all tackled. Though it i【s som【ewh\at 】harrowing - and worryin】g - to w/atch, there is an /o/verall message of h/op】e:】 that we ha【ve the pow\er/ \to t【urn the tid\【e o/【f 】cli】mate chan/ge /once】 an【d for all.More infoAltered OceanWhere【: The Royal Phot/ographic【 Society, Bristol, U】KWhen: U/ntil\ 23 】June 2019According to statist【ic【s, approxim\ately 8 million\/】 pieces of 【plastic find 【】their way into \the ocean every day. Da/vi/d Attenboroug/h brought th/e i\ssue of p\lasti【c pollu\tion to the forefront b】ack in 2017 with h/is BBC documen】t\ary, Blue】 Plane【t II 【and it has now become one the major climate change /discussi】ons】 between cou\ntries and local communiti/es. 【I/】】n 【this 【pho【to series, Mandy Barke【r has doc【】】ume】nted\ her findings as】 a ph【otog】rapher travelling the world. Comb】ined wit【h resea【【r\ch n【o/tes, /sk/etchbooks and scient/ific s\amples, it combines both art andscience to p【resent a we\l/l-rou【nded exhibition that forces th\e viewer 】to confront t【he realities our oceans are fa\c\i/ng.More infoHuman/ Natu/re】W【here: Muse【um of World Cultu】re, Gothenburg, SwedenWhen: Until M\ay 2020Bringing toge\/ther 【a collection /o/f】 poignan】t photographs】, w/orks o【f 【art an】d other a】\rchived materials, the Museum of Worl/d Cul【ture has curated an exhib【\iti【on that explores the way h/uman lives ar【e di/\rectly affecting th】e planet. Looking \at/ everything from the【 things we \choose to repair and care fo\r versus those we sim/pl\/y consume, as well as sci\entific results in/ envi】ronme\ntal p【sy】chology, it&rsq】uo;s a /fascinat\ing s\tu【dy of th】e relationship between people and the \planet we call ho/me. T【hough it doe【s feed t【h\e visitor some uncomfortable truths,【 the overall m【/essage is one of //hope】, she\dding light on m/a【ny of the positive initiati/\ves tackling to redu/ce o\u\r impact and offering p/racti/cal tips that c【a【n be taken away and in\corpora【ted into 【daily life.Mor】e i【nfoCarmig【nac P\hoto】j//ou】rna】lism Award: Arctic/: New FrontierWh】ere: Sa/atch/i Gal】lery, Lond【on, UKWhen: Until 6 】M\a【y 2019Photographers Yuri Kozyrev an/d Kadir van Lohuize】n have won the S\aatchi 】Ga【ll/e\ry&rs】quo;s ninth Carmignac Photojournalism Award for the\ir project on the Arctic. Widel】y view】ed as 】one of the most enda\ng【ere】d 【ar】】eas in the world, the Arctic【 】is home to 】the Nenets - a nomadi【c】 group that make the yearly m/igration a\cross Nort【h【ern】 Russia. F【o/r \the first t【ime e】v\er, \their journey was i/nterrupted by melt/ing frost in 2018. K】ozyrev f】ollowed【【 their progress this year and bore witness 【to the impact【 t/hat global/ warming is h【avin\g on /their lifest/yle. Lohuizen,】 on the other h】【and, /visited various part\s of the【 w\orld,】 meeting with sc】ientists, envir\onmenta】lists and vulnerable com】munities /to find out ab】out the reality of/ 【what is happening to our m/elti】ng ic【e ca\p\s.\ Each photo in t\he e/xhibition shows the sta\rk reality facing t】his part o【f the world thank//】s to t\ourism, the depleti/on of gas an】d natural resources and heavy ocean p【oll/ution.More infoWords: Bianca /Barr\attShare this arti/cle 【 / More f】\rom life,/ 2018 at 5】:35\am PDTWh【e\n did Szi【get really【 start focusing on s】ustainability? What cam【e first &n】d//ash; the demand for/ sustaina【bility fr/om the visitors or /your own s】ense/ of //responsibilit】y?"The latter and it started a v】ery lo\ng time ago. M\an/agement m\ade t\he\ decision to make gre【at】er efforts in terms of sustainability in 2002】 an【d I jo\ined in 2003 to start \working on it. Back then sustainability【 at f/estival【s was mostly co】nfined /t\o was\te manag\ement but【 over the/ years we began to develop a wi\der ran】ge of activit\ies in various spher\es【 of the f】estival."What ste/ps hav\e \you taken in the 【pa【st few yea\rs to/ become more green and what【 can we】 \/expect this y【ear?"I thi【nk that the big/\ge\st neg/ative effect of the festival is waste so ou\r prio\ri/ty is re】ducing and recycling waste, thi】s is ou\【r flagship en\vironmental project. Through the years, we focused mostly on r/ecy/cling【 but s】ince la【st yea\r m】ade huge step t\owards actu/ally re【ducing was】te. We don’t allow pla/stic bags 【【to be sold a【【t the fest/ival/ an/d\ th\e food vendors cannot give out plas\ti\c】 plat】es or /cutlery (i【\t must be made of biodegradable material). Last /yea】r we launched a /new c/ampaign to r\educe the number 】【/of /straws and\ managed to cut use by 50%."S\ziget\】 Festival's "Don'【t Suc\k!】"【 camp【aignKris】】z/ta Csányi"\We also try to pro\tect the gro/un【d and soil by c/over【ing 1】【0,000sq. meters with special covers and then recultivate it. Last /year, f/o【r example,/ we recu】ltivat/ed about 3 a】cres.【 We are also\ constantly experimenting with and】 implementing wa】ter saving】 【【te【chniques such as vacuu/m 【to【ile/t】s/ whi/ch can sa】ve 85% of 【w】ater use \(i/.e. 1.5 liters of water p\er flush instead 】of】 10 liters).""We are a\lways thinking of mo【r/e n【ew campaigns to【 save water./ Last year we employed /a/\ “gu\err\il\la” awarene】ss campaign and found that through some easy】 communicat【【ions \measures we \can enc/ourag】】e\ visitors who are c】amping to shower mor\e eff【iciently. 】/We a【lso \】had /workshops with Cli/mate-KIC alumni】 /in t/he previo】us years and al\w/ays have the\se trash【 fas\h\ion workshops where peo/ple can m】a【k】e festi【va\l accessories \【out o/f waste. T/his year, we have even more sustainability ini\tiatives in \store, whic】h\ w】e will announce on Eart/h /Day (April 22/nd)!"Trash Fas【hion wor【kshop at Sziget FestivalSziget Festival"Those who like t/\o camp at festivals ca【n】 //opt【 for resting their wary bo【dies at the EcoCamp, a special【ized camp\site on the festival g】round】s that uses solar 【】p】ower \and\ boa/st】s】 a slow /food bar that encour【ag【es peop】le/ to live a slow a/n/d sustainable life."Eco C/】】a】mping at Sziget Fest/】ival\】Sz】iget FestivalSolar pow/er at Sziget's Eco\ Cam】pin\g groundSz/iget Festival"Be】/cause /tran\sport\ is 】resp\onsible for a【 very significant part of /a fes【tival’s carbon footprin\】t, we&rs\quo;v/e undertaken a lot of different tactics to re\duce the n】egative/ effects: we offer\ bu\ses/ and boats /to the fe\stival\, provide bike facilities and actively dis】c/ourage visitors thr】ough variou】s c【ampaigns from dri】vi\ng their】 cars here.】""Another in/itiative that /we've had over the pa/st few years w/as 】encouraging pe】ople to \donate their tents to【 charity because it&r】s\quo;s actu/ally a huge issue on a European level. Tons o\f tents a/nd oth/e\r camping】 gear are left behind at festivals so this way we \t\ry to collect them and give away\ to char/ities, like t\he H】ung/ar\ia】n Charity Servi/ce of t/h\e Order of Malta."Tent donation pointSz/\ige【【t FestivalAre【 there any other festivals out ther/e that are】 】really leading the way and can be considered ro【le m】o/dels】 】in \the sphere of s\ustainable party\ing?"There】\ is a /clear/ tendency of【 introduc\i\ng green efforts at \most festivals: we&rs\qu【o;\r【e see】ing a kind of “green&r】dquo; 【】】compe\tition because /th\e y【ounger generat/ions is putt\ing huge press【ures on the festival industry to /be m【o【re sustainable. Glastonbury bann\ed plas\tic bottle/s and】 】we'd like to fo/llow 】【suit in the fut】u/re\."Workshop at Szi】get Festival's "R【\e】cycling C【e/nter"Sz【iget Festival"Many festi\vals are exp\erim\ent\ing with energy effici】ency projects but,【 unf\ortunately, 】so far there\ ha【【s been【 no 【b\reakthro/ugh because festivals 【simpl】y need A【 LOT【 /of】 energy. Last year we used s【ola【r energy t\o power our illuminated banners【 but, of 】【cou\rse\, that’s a\ miniscule percenta】ge of\ the energy a fes/tival requires. On a】 larger scale, solar is 【sim】ply not\ viabl/e at the moment because turnover is 10-20 years, whils/t a festival only lasts several day\s to\ a we】】ek, \in /th【e 】ca】se of【【 Sziget. So, as an industry, we&rsq\uo;re very fa\r /away fr/om being able to use 【s/ol】ar to fully power a f【estiva】l【’s/ needs\."What role, in your opinion, do festival organiz】ers /have in shaping a genera【l 】“gr/een consciousness” /【among their att】ende】\es?"Huge. We all agree 【on that. Festiva】ls have \】a huge impact\ on yo】u/th. When people come to/\ a fest【ival they open their minds t\o le【arning and experienci/ng new thi\ngs. So there’s a【 con//sensus th/a\】t we d【o have a hu【ge 】responsibility/ to in/crease \environmental aw/are【ness."Waste Po\int at Sziget Fest【ivalKriszta /Csány/iWhat tips/advice/ would you giv【e【 attendees to enjoy themselves in a more sustainable way at Sz/iget 2019?"Sm\o】kers &nd【as【h; don’t throw【 】cigarette butts away o\n the ground, always look for a mo\bie ashtray. Find y\o【ur m【o\st environmentally friendly way to co【me to the fe】stival 【(【boat, t【rain, bus or even cyc】le) and use our rec【yc/li\ng/ 【bins."Share this a】rticl【e More from life2sLc

PYzZFi】nding gold i【n t【he gu【tt\ers of 【BrusselssFRe

3xTzMussel fa/rms 】fight a\g【ainst【 pollution in \the Baltic; one of the \most polluted seas in the worldIFgv

haxHScienti【st】s es【ti【mate that roughly 】on/e million la\n/d and\ marin【e species may】 bec【ome extinct in the foreseeab/le f\uture. Many within】 decades. What are the main【 reasons for th/e decl\ine\ of under/water ec\osystems?Thanos Dailianis, a marine\ biologist fr】om the\// HCM【R-IMBB\C /resea【rc【h instit/ute /【in【 Crete,/ exp\la/\i】ns.“Marine ecosyste】ms are threatened bo/th locally 】\an【d globally/. At the lo\cal l】【evel, the/ coastal zo】ne hosts】 a lot of 【human activities, 】/ i\mp】】o\rt\ant human activities, like 】urban【isation, like agricu\lture, industry of】 co/urse, and【 ot\her uses which cause loc【a\lise/d fo】rms of degradation, l【ike pollutio/n,/ l】et’s s\ay.""But on the other hand, we have la\rge-sca\【le ph】enomena, like global warming/, or ocea/n a\cidificat/ion, which【【 \of course jo】in toge/the】r with the local】 pre\ssures and【 cause/ sometimes uncontrolled ef【/fects【.""In Crete, 】we’/re located in t/he Eastern/ Mediterranean which】/ ri\ght now【 i/s the warmest place in the Mediterranean/ basin.\ This【, a/】lon/【gsid\e with】 the adjacency with /the S\u【ez Cana【l, makes \it】 very sus\ce】pti【ble to ch【an/g【e right now.""So what we see here is an// early w】arning o/f 】things that will probably spread/ 】towards【 the 】west】 of the Mediterranean /in the\ fo\】rthcoming\ years.""/And【 of cour\se, these t【hings also happen at the global level. Global w/armin/g is a global t/hr【eat, of course, and species coming fr【/om other parts /of \th/e world is【 a universal trend right now becaus【e of this ong/oing c/hang/e.""We are of c【ourse c/oncerned because we feel it is our duty to preserve t/his biodiversity for future generations, an/d we feel t【hat righ【/t now it/’s on the ve\rge of be】coming de\g\r\ade\d.""Nature finds its ways, and t【/his 】ri/ch/ness will/ be replaced by \another richness. /The】 problem is\ mainly for us because we ha】v【e built our 【lives \with this biodive/rsity, so the loss of t/his biodiversity 【will /ma/inly af/【】f\ect hum【【ans as a species.""T】he \service\s it provides to us,/ the food, the 】\environment; all the】 stuff that makes】 our【 life nice \t【o live.\&/rdquo;Share this art】icle\【Copy】/paste the article video\ embed link below:CopyShareTweetSharesendShareTweetSharesendMoreHideShare】SendS】hareShareShareSendShareS】hareYo【u /might a\lso like 】 】 】 What’s k/illing】 our \unde【rw/ater ecosystems? 】 【 】 】 / 】 】 Uncharted wate】rs: how maps ca/n help prevent conf\lict o【v/er /marine resources 】 / 【 \ 【 【 \ \ Famil】y-run fisheries struggle as n/ew generation casts net wider 】 【 More a】boutOceanFauna and Flor【aEn\vironment/【al prot【\ectionbiodiversityGree【ce 】 Mo】st viewed \ \Wh】at influ/ence on climate i\s the corona\virus lockdown rea\lly【 having? \ 【 【 】 / The new AI system safeguarding 】premature babies from infec】tion 【 Me/ssenger RNA: th【e mol【ecul/e that \may teach \our bodies to b【e/at cancer 【 \ 【 Apple and Go\ogle 【say they'll work toge/th【er to trace spr\e\ad of coronavirus\ \via smart\p\hones / How EU】 funding is changi\ng 【【the face of La\tvian innova】ti\on \ 】 Browse today�/39;s tagsM4ZC

I4FkSea/ life at 】risk if EU count】ries don't a【chieve/ marine protection 【goa\lsN1mC

zCCIText si】zeA】【aAaCan a univ\ersity&r【squo;s campus building promote【】\ sustainabi】lity and care \for the environment while also bei【n】g an architect\ur】al】】 marvel? /Budapest/’s Central Eur】opean U\ni\versity (\】C\E【U)【 proves that the l/ec/ture hall\s in which we /study ref】lect ou/r【 acknowledgement of the【 seriousness of climate change, p【/ut \us on a path towards alle\viating carb/on emissions and wast【e, and enrich 】our concept of aesthetic bea【\u】ty.I【/n July, 2015 CEU【 became【 the second highe【r educatio\n insti【tution in contin【enta/l Eur【ope, and the first \in Central and Easter】n Europe, to receive the BRE【EAM 【(Bu【ilding 】Research Establ【ish】ment Environmental As【sessme\nt Method) certificatio【n, th/e world's le】ading design a/nd /a】ssessment method for sustainable buil\di\ng】s.Two 】of【 \the【 campus&//rsquo; buildings – the Nador 15 a】n】d\ the Nador 13 &n\dash; have been BREEA/M certified. 】In\ 20//1【7, th】ese bui/ldings won the CEU \/the Env】ironmental S【ocial an\d Sust\ainability 【A\ward, part of the CIJ Awar/ds Hun【gary competition spons】ored 【by CIJ, Europe’s 】l\//ea【ding【 Real Estate digital and pri/nt news provi【d】er.The n【】ew and 】imp】roved/ bu【il\dings boast features s】/uch as micro-shading, high f/requency lighti】\ng a//nd n/atural li\ght, cover】ed /courty/ards, preserved b\rick work /a/s cons\truction mater\ial, bio\diversity an/d open\ air spaces on camp】us and motion, air quality and temperatu\re data collection with build\ing management software, among o【the/rs.Insi\de the N15 buildi\ngCEU/Daniel VegelCEU's ro\oftop gardenC/EU/Da】niel VegelWe】 too【k a tour】 o/f t】he stunning N13 and 【N15 bu\ildings with Tamara Steger (Associ】ate Pr】ofessor in CEU’s】 Environmental Sciences】】 Department\【 and the Chair of 】the /Su【sta】inability Committee a】t \the time)\ and Loga【n Strencho】】ck (CEU’s/ MSc En】viron\mental Scie【nces【, /Poli【cy and Management a/】lumnus 【and cu【rrent Enviro】nmental and Su//stainability Officer), both of whom were inv【olved in t\he project from \day one.Why B\REEAM?/Logan: “We could have【【 chosen from a few 】different susta/inabilit】】y【 stan】d】a【rds such as LEE\D, the/ Danish b】uildi】ng codes or t【he /German Energ\y Conservation Regulation】s but we】/ dec/i】d】【ed to 】pur【\sue BREEA【M b/ecause we】 a/re in a】n u】rban campus 【[CEU’s campus is【 in the heart 】of historic Pest】] and we have a mix of old\ and new buildings, so 【that was the mos【t suitable for us.&rdq】uo; View this\ po/st on Instagram/Dear n\ew CEU /Class, welcome to 【#【Budapest! Thi/s what th】e #walktoschool will lo\ok like f/or many of you. Hope you'll enjoy your time with us! #WelcometoCEUA p】ost \shar/ed b/y Cent【ra/l European Univer【si/ty 】(@ceuhungary) on Se】p 3, 2018 at 4:21am PDTCEU in\ historic PestTamara: &l\dquo;While there was in】terest in support【ing green building fea\tu】res\, BR【EEAM certi【fication\ 】was/ not a given at first. C/EU considered th\e eviden【ce and 【was convinced of the i】mportance 【and value of h/aving ce\rtific】ation/\ 】to reflect t】he rigor【\ i//n its commitment to sustainability /a】nd its prom\inent 】r】ole\/】 in academic excel】/【lence as well./ T\he\ certif/ication was also an importa】n\t ga】uge that co】uld assure the edu/cational, environmental and econ\】omi/\c benefi\ts based/ on specif/ic and reputable\ standar\ds 【and criteria. By \pursuing BREEAM, the\ administration】 saw the opp\ortunities to 【【save money, demons/【trate furthe】r /their/ commitment to sustainabilit】y, and eve】ntually take advantage of the important learn/ing opportunities manifested in\ th/】e building\s' des【ign a/nd operations】.&rdquo\;Th/e path to /BRE】EAMLogan: &ldquo/;In\ 2009, the university signed a 【susta/inable development p\olicy bu【t without the tools to do anything, i【t was mostl/y a nicely worded do\cum】ent. So when in 2012-2013, the univ/ersity decided to kick off a redevelopment project it was decided t【hat i】t wa【s in everyone&r\squ【】【o;s inte】rest to d\esi\gn an effic/ie/n】t building. In order 【/to achi/eve th\is, the university nee\ded a team /to work on th/i/s full/ time and so 【the S\ustainab】ility Officer position /was /created. The firs【【t item on 】my a【genda w/as to 【persuade the administra【tion t\o pursue/ BR【EEAM because i【t \【would show that】 we/’re t/aking step\s outside of ‘business as\ usu】al&r【squo; /and taking sus\tainability seriously】. We\ knew it would c【ome with a lot 【of extra costs and effort b【ut we】 w/a】n【ted to do it right.&\rdquo;Tama\ra:/ “In term/s of【 the environmental i【mpacts, the campus 【before was not【 as 】energy an【d water efficient; acc\ess to r//ecyc\ling b】ins 【and fil】tered water was limited; and the Ja【panese Garden was /not as ecologically friendly a】s the N15 rooftop. 】The redeve【l】o【/p【ment effort n】ot only drew on【 general e/nvironmental and economic con】cerns, b/ut d【emonstrated CEU's commitme】nt to sustain\abili\ty education/ as sig】nato\】ry to the Copernicus Charter and its Sustaina/ble Dev\elopment】 Po\licy.&\rdq\uo;CEU's rooftop \garde】nCE】\U/【Danie【l VegelLogan: “At t\h【e time, there were a few contrac/tors here in Budapest who were famil/iar with BRE and LEED because a few b【anks and private c\ompanies had \already b\een certif】ied in Hung】ary. But our pr】】o\ject was especiall【y【 complex b【【ecau\se we are in the heart o】f th【e 5th distr【ict【, in a historically significant build\ing and we ha//d to take/ d/own one /building entirely on【 a 【very small const】/r【uction foo】t\prin】t, all while keeping 【the university r【u】nning full 【time. \Ge】t\ting the BREEA\【M certification \takes a\ long time and requires a lot【 of \documenta】t】ion, which can get quite complicated be/cause the】 inspectio】n is \very【 rigorous a【】nd thorough &/n/dash; as】 it\ s【hould be, of c【】ourse. But/ we\ knew this whe【n we d【eci【ded to embark on th\is redev【elo【pment proj/ect.&r】dquo;The new, im\proved and BREEAM】/-certifi/ed CEU campusTamara: &】ldquo;The new\ BREEAM certified buildings reflec】t CEU's o】wn charac/ter as an i【nnovative, visi】onar/y place of learn【/ing and research wi】th concrete (l【ite【\rally and f/iguratively!) im\pact【. In addit/ion to th】e】 direct green benefits, the new campus buildi】ngs /also nurt【\ured the CEU community in 】a different way /in terms of learning and learning experiences, c【\ommunity inter】actions and teaching. The CEU community is incr】easingly aw【are/ of recycl】ing d\ue to th/e p/resence o\f recycling bins.Recognition and awards for the N13 【and N15 buildi\ngs, including/ thei【r environ/mental features, ha\ve been well publicize\d 】drawing attention to the beauty and /impor\tance of environmental 】sustainabilit】y. The bu/i【ldings reflect ou/】r acknowledgement of the seriousness o】f climate chan/g【e\ and pra【ct【i/cal steps in \the【 【/direction\ 【of alleviating c】arbon emi【ssion【s and waste.【”I\nside the N15 buildingCEU///Zolt/a\n Tub】aLogan: “W【as it \all w【orth it? 】Yes! BREEAM guided the b】uilding design and【\ the c】onstruction m\an\agement process to be comprehensive with concern for long-term functio【nality, sustainability a\nd the environm】ent.&rd\quo;Ta】mara: &l\d【quo;One/ of the \features of t【he new buildings/ that 【I really like ar【e 【the old b\ricks that were reuse\d from the previous buildi【ng. The library a\nd classro】om\s have facilitated new possibilit/ies for st/【udying/, learn【\in【g, networking and】 teaching\ such as priva】te meetin\g rooms 【in /the】 library and s】\mart b】\oard【s/ in the c【las\sr【ooms. /Since being loca/ted in N13, I run i【nto colleagues from different\ depart\ments much 【more fr/equen【tly a【nd enjoy the opportunities to catch up \on news, resea\rch oppo\rtunitie】s, et】c.【”CEU's re-used brickwor\kCEU/Zoltan Tuba】Logan:】 “\What is【 truly uni】que ab/out】 the new ca】mpus is the roof garden. I【 haven’t se【en an【y /othe\r central】ly【 【【locat/ed u\niversity building with s\uch 【a space. The way /that th\e N13 】buil\d\ing wa】s la】rg\ely preserved but reinvented/ is also an ac\/hie/vem】ent in and of itself. We\ re\used a lo\t of bri】ck-work【 from the buil\ding th/at was /t/aken down 】as opposed to 】【using fresh con/structi】on material, which 【】/has a significant en】vironment\al impact reductio【n. Arch【itecture-wise】, I find the lib/ra】ry 【【to be a real/ly n【ice space not /only for r\ead\ing【 and studying, but\ also 【f/o【r 【rela/xing \thanks t\o \the lay out and the nat\ural ligh【t that \manages to penetr\ate 【and t【he stunning city views you get from some of the li/【brary’s /windows.Wha】t I hope the redev\elopmen\/t project and th\e BREE/A】M cer【tification reall【y ac】hiev【e is teaching /】\people how to r\eally have an impact wit】h\ their research. You’re not done once the bu/ilding】 is/ built. We have an/ environme】ntal sciences department here at CEU which activ】el\y engages with environment【al so【cial\ mov\ements in Bud/ape【st, Hungary&\rsq/uo;s r】egions and the Centr/al Euro/pea\n region as a wh【ole【. I hope】 this new buil【dings further motivates th\e/ p\rofess//ors and\】 th】e\ student com\muni】ty t】o have【 a \real/ impac/t with 】their resear/ch.&r【dquo; View t【his post on InstagramSpri\/ng 】is here! Check o/ut \the Li\br】ary’s view/ onto /one of CE】U’s newly】-planted vertical gardens! It&rs/quo;s #takeoverTuesday with the #【C\EULi\/b\rary】.【 #sp/ottedatCEU #v\erticalgardening #springA pos/t shared by Central Eu】ropean Uni\versity (@ceuhun】gary) on Mar 21/, 2017 a\t 2:26a\m P/D【TCEU【\ Libr/aryAlthou【【gh at pre【\sent there is st【il【l some uncertainty 【r\eg/ar\ding CEU’s s【/tatus in Hungary due to long-running political\ tensions, \the university ret【ain\】s accreditation as a Hu】【ngarian university and will seek to c/ontinue teaching \and research activi\ty in Budapest as long as】 poss【i\ble.Share this article More/ from lifer3NL

RHk9Te】xt s/izeAaAaWith a vie【【w to r\】ai\se awareness of the damaging i】mpact of carbon emissions produced from fly【ing, the UK are planning to introduce a tax to of【fset【 emissions. This &lsqu/o;carbo【n\ charge’ added to flight/ ticket pr【/\ices would/ fund eco-f/riend】ly pro/jects, like p】lanting\ t】rees to red/uce【 CO2 levels in o【ur/ a【tmosphe/re./ T】his sche】me would hopefully /encourage air passengers【 t】o fly le】\s/s】 frequently and to be aware o\f the ef/fect/ of t】ransport emis】】sions/ on th/e planet. But, do we ne/ed to【 f/ly【 to /a new destination to have an enric/hing summer holiday? \Can we have a real brea】k【 f【rom daily 【/life and n/ot \fly to a faraway de\stination? We【 /believe\ you abso/lutely】【 can and the】 /holi【day of d//r【e/ams you're lo\oking for, ma】y 【just be waiting for you in t/he countryside.The menta/l h】\ealth charity Mind state tha】t, &l】【/dq\u】o;spending ti【me in green spaces or bringing nature into your everyday life can】 benefit both your menta【l and 】/physical we/ll【being&rdquo/;, /so how can/ you have flying free ho【liday that prov\id】es you with all the benefits of being a\ro/und natur】e in the countrysi\de?Tran\sp/ortWhat are the no-fly alternatives?You/ may just gain a lot from the increasingly/ popular conce】pt of slow 【travel an】d f/eel a sense of joy as you 【me/ande】r through sites /【of natura\l beauty】 t【o y【our 【destin【ation.You could always 】sail the seas \on a ferry t】o\ ne】arby 【countries like Fran】ce, Irel】and a\nd \】Holl\and if the idea of a staycation doesn&rs\quo;t float your boat... To get \/to those tra】nqui【l\ spots\ where you can immerse yourself in nature【 why 】not\ rent a【/ \camper va\n wit】h Yescapa if 【you&【rsquo;re not a car owner. Cr\uising on a v\a【n trip would not on/l\y a】llow you t\o take all your home/ comforts w】ith you】/, but it \would a【lso give you 【the freedom to travel far a【n\d wide, without the 】need to fly of course【.A【 cam\per【 vanThe famous Inter/rail Pas】s gives y】ou th】e liberty to tra\vel to 31 differ/ent European countrie/s/, all of which a/re\ home to na\tural beaut/y. What to do onc/e y\ou arrive at the station【? Tra【velling from the s】tation to yo【ur countryside \de/stination could be arrange】d 【usin【g the car 】s【haring App BlaBla Car whic\h has been tried and tested. You 【might make some frien\ds and you won't h\ave the probl】em o\f park/ing the car. Any\ 】of t】hese/ options/ wi】ll hel/p to calm any eco-anx】iety that /you may be feeling. W】hat to【 d\oReconnect with natureA study has proven that any form of immersion in the natural world heighte】ns you\r overal/l we\ll-being and s/timulates you to have a more po/s【i】tive inter\ac】tion】/ with the /w【ider human com】/mun/i】ty. In【 light of th【i】s, many are p】ra\isin】g/ th\e Japanes/e p【ractice of \Fore】st Bathin】g. No,/ \this does not me/an taking a bath in 【between the trees. T/his ancient/ proces【s of relaxation involves】 qu】ietly】/ o\bserving nature, pl】acing yo\urself 【in proximity【 with the\ tr\ee\s/ and breathing deeply. I/f y/ou’re\ looking fo/r a range\ of forests in the UK c】ountryside, F【ore/stry E【ngland provides a searc【h engin\e so y】ou can fi\n/d t【he woods clo【s\e to\ you.A woodlandReconnecting wit【h natur】e can also be done th【rough/ a\ctivit/ies \like ou/tdoor yoga/, walking, wild sw/imming, cycling, wild 【swimming, I could go on.W\hat t\o takeRent a fa】ncy bell te】ntNot staying in】 a cotta】g/e 【or eco-lodg/e? Put/ti【ng u\】p a ca】nvas te【nt (】mayb/e next\ to your r】etr/o camper van) c】ould be /ae/sthetically mindblowing and highly practical/. F】at Lama is a platfo】【rm th/at allows \you\ to rent o】ther p\e/\ople’s cool t\ents that otherwise m\i【ght be 】a larg【e fina】【nci\al investment. \A bell tentBe pr/epared for】 th【e outdoor pi【cnic/sTake your own ba/mboo plates\ and cutlery for those /picnics underneath the shade of a willow tree next 】to a trickling stre\am. That/’s a/ ni\ce Romantic \nove【l【 image isn’t it? But /a bin filled with throwaway plastic forks and plates is not so\ much//. View this post o/n InstagramFrom /o/ur friends in N】o/rway/ @beeco】shop.no【 - Our new Grubware Eat/Drink Tool Kit in Norw\egi\an NYHET! Zero-waste best/ikksettet for den ak【tive ?? Dekker b//ehovene når du vil spise take-away【 i hverdagen, på fest/festival eller drikke juic/e eller smoothie. De【\tte kittet inneho】lde【r 【Spo【rk, gaffe【l/, skje, /kni】v, spi【se【pinn】er,/ sugerør og rengjørings/børste til】 sugerør. Lag/et //【av &os】lash;ko【logisk bambus og op/pbevart i】 en tøypose av &oslas【h;kologisk b】omull ? Mindre \avfal【l i hver【】】dagen】.【 Ja takk ?A post【 /shared b【【y bam【【bu® (\@b/ambuliving) on M【ay 15, 2019 at 2:34pm【 PDTTak\e food aw/ay wi】th youTaking 【food a\【way is a great way to /【prepare for your p/otentially isolated trip to/ the countrysid\e. So why no\t wr】ap /your food 【in\ c【ling film? Well, a\ccord】ing \to BeeBee 【‘more \than 1.2 bil】lion metres, equating \to 745,000 mi【les\ of【 cling fi【lm is used by ho】useho】lds a】cross Britain ev】ery year\&【rsquo;. Be】eswax wrap/s are a【 muc】h more su\stainable alt】\ernative to prolonging the life o【//f 【your foo】d. V/iew this post on Instagr/am\Happ\y /】Spring Equi【nox! ?? Al fresco eat【ing is 【wi】thin reac】h again! Hurray! . . . . . /#InternationalHappinessDay! #springequinox #spri】ng #beeswaxwraps #b\eebeewraps 【#food #alfresco/ #picnic \#outside 【#eating #alfre\scodining #flowers #tulips #plasticfree #zerowa】ste\ #foods【torage #packaging #clingfilmal\ternati】ve #ta\bl【e/ #b【ees #beeswax #organic #c】otton #organiccottonA post sh】ared【 by】 Bee【\Be【e Wraps/ (@beebe】】e】/wraps) 【o/n】 Mar 20\, 2019 at\ 10:30a\m P/DTShare this 】【article 】 More from pla\cesxrV4

rsldNigerian women revolutionising Fine Art 【NkG5

FwG2From Amsterdam】 to Sy【dney on el【ec/t/r\icityNTfn

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0JCNMussel fa/rms 】fight a\g【ainst【 pollution in \the Baltic; one of the \most polluted seas in the worlda7rs

Q2wE/Join us in t\his i\mmersive 36/0° experience onboard "/B】roodw/inner" - a /29 metre bea/m trawler built// in【 1967 a/nd used to train/ you】ng fisherme【n in Belgium.The vessel, renova【\ted a 【f【ew years ago with the supp】ort of the Euro】pea/n 】Maritime and 【Fis/heries F/und, has everything necessary to p】/rovide fut/ure maritime professiona【l】s\ with ha/】nds-on ex】perience./B】art De Waegenare, a te【acher a\t the Maritie【m Instituut Merca/tor in 【Ostend, \superv\is\es a】 group of l】o\】cal students on/ their training trip."T/he】【y】 come f/rom everywh】】ere in Belgium. /They start at 12-13 years of age, and they sta/y u/ntil 18."The f\irst and the second year clas【ses 【go to】 sea /ev】ery】 \n\ow 【and【 then, but the th】ird and /fourth】 year students go out e/very two week】\/s with t】he vessel — eve【r【y tw【o wee/ks for 【a whole s\chool year."That’s normal\ working hours, between 080/0 and 1600 &m\dash; so/ fo\r 】eight hours a day/, t\hey are at /sea."We /try to t/each them /to be a fis/herma】n — fr】om t\he begi\nning. What is a fis【hing boat, what d】o you/ have to do,/ it’s normal working cond【iti【ons f【/【or a beam trawler【."We teach them t\o work safe\ly】 【— safet\y he】lmet, saf【ety】 device for 】when/ 【they fal】l overboard — that&rsquo】;s never happened, but【 you never know【. So that&r/squo;s also an importan\t part. Working w【ith fish /— 【they have to clean the 【\fish, things 】lik【e that. And /naviga】ting th/e/ vessel also."They really see what it is\, getting their first impression \her\e.\ A/nd then when they get older, they g】et technical cl】a/sses, and t】he older g】u】【\】/ys /\h\ere go to sea on professional fishing vessel\s. There they see real life at a workplace. A】nd that,\ in \my opi\nion\, i\s when they /make/ a choice to do \it — o】r not to d\o it."Journalist name • Denis】 LoctierSh\are this articl【eShareTweetSharesend】/ShareTweetShar【esendMoreHide/ShareSendShareShareSha【reSendSh/areShare\More \aboutOceanFisheryEnvironmental protectionYouth360° vid\eo 】 【 【】 Most viewed / \ /What influence on clim/a【te/ is th\e coronavirus lockdown really having? / 【 / T\【he new AI system 【safeguarding pre/mature babies from infec\tion / \ \ 】 【 / 】 Messenger R\NA:【 \the molecule\ that may teach our bodies to beat cancer 【 】 / Apple and Google\ say they'll wo/rk toget【her t】o trace spread of coronavirus via smartphon】es \ 【 【 】 \ How EU funding is \chan\ging th【e fac【e of L\a/】tvian\ innovat】ion 【 / \ 【 Browse today's t/【ag/sDcks

1.zQLmWhat is Earth Day/? | Euronew【s answersKR0p

2.8vdKNe】w edible in-flight meal t/ray designed for【 plane jo】ur【neyseBM4

3.uzsvGreen growth: promot/ing i【n【n】ovation and sus/ta\in/ability to foster busines\s in Europe\W9EN

4.ba1FW\o/rld\'s highest-operating 】w\eather 】stations 【ins/t】a】lled【 on Mount Eve】restdBX2

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S6Yv\Te】xt sizeAaAa/A s\how【case of t】ho/usands of completel\y sustainable f\abrics is co】ming to London, or】ganiser The Sustainable【 Angle has announced.【The not-for-profit o/r/g/anisation has been a rele】ntl】\ess/ 【s【upporter of innovative/ lower\ carbon solutions to fashio/n&rsquo【;s biggest problems【 since 2010 and hopes that this/ \ev/ent 】will encourag/e ev/en/ more /designe】】rs and creators【 to adopt 】respo/n【sible solutions.】This will \be the ninth e/dit】ion of the Fut】ure Fabrics Expo which is the l\argest sho【wcase of sustainable fabrics of its k】ind. /With each f\abr【ic, informa/tion about where it has com/e from and 】/the/ environm\e/nta【l footpri/nt\ of【 its】 manufacture w\il/l be/【 provided. I【ncreas【ing tr\an/sparency in【 how our clothing i/s made is on】e\ way to he/lp bot【h designers and co【nsumers to 【make responsi\ble choice【s.Materials /o\n show will】 include 】the i/ncreas\i【ngly popular TENCEL Lyoce\ll and Modal as well as【 several fa/brics th】at take an innovative approach to post-cons【】umer recycling. Wi\th fashion waste /firm【ly in】 【the spotl【igh【t this season, there is a real dri【ve from /\consum】ers towa/rd more circular soluti【ons\】.These m\ode【rn approa\】ches will be e/xhibited alongside co/mpanies that ch】ampion t/rad\it\ional sustainable ma】te/rials/ like line/n and bast. Although less common i/n modern designs, these ancient f【】ab/rics are biodeg】radable and water-efficient. 【The plant fi【b【res fr】om 【】【whi】ch\ they are grown can ev\/en sequester C【O/ from the atmosphere.Founders of the expo, 】The【 Su】stainable Angle, hope t】o change the fash/ion i】ndustry \for the bet/ter s【o that, instea/d of stri】ppin/g resources an/】d p/oll\uting environments, \it can【 have a 】po/sit/i/ve impa【ct on n\ature an\/d the communities that 】\make o】ur cloth/es.Read/ More | W\【hat is Tencel? \T//h【e s\ustainable fabric e/v【eryone is 】talking /aboutClaire\ Bergk/am\p, Global Director of S【us【ta】inability and Innovation, Stella McCartney (left) in/ 【convers\ation/ with Orsol/a de Castro, Co-foun】der of Fashion Revolution】 (right)【\.Suzanne Plunkett /The 【Sustaina】\ble AngleAs well as showing off materials th\at designers can u】se t】o /decrease the e】nviro】nmental impact of t\heir own 【de】signs, the F/uture】 F【abrics\ Expo will also h【o\st panels to h\elp】/ ed/ucate atte\n】de/es and fac\ilitate discussion between industry exp【e【rts. Panels for\ the ninth Future F【abrics Expo will b/e】 focus\ed around r【egenera】t\i】ve, circul/ar ap】proaches to sust\ainable des【ign and how fashion can be a “powerful force /for positive change”.Future\【/ Fashion ExpoS\uzanne Plunkett /The 【Sustainable AngleAt 】a /p】an/el at last 【year’s event, Claire Bergkamp, Glob/al Director of Susta】】】inability and \Innovatio】n at Stella\ McCart/ney emphasised t\he value【 of eve\nts like t\his i】n helping to eradicate unsustainable mat】er\ial\s from t【he【 fashion in【du\/stry; “We have to \repl/ace them with i/nnova】t\ive, sustainable alternatives. The o/】ther half of inno】vati】on in the【】 future of fabrics has to be about rethinkin】g t【he syst】em【s 【tha】t we /have now…/【How can we find lower-im【pact ways o\f【】 】creating things?”.Part of the /Expo last year al】】so in【cluded two curated areas dedic\ated to fashion bra\nds fully embraci\ng responsib/le s】our\cing and circularity in thei【/r 【collections. New collaborati/on/s【 between leading designers and companies c/reating inno】vative new material\ technologies are the ideal outcome from this event.Suzanne Plunkett /The 】Sustainable A】ngle【The \【event will take place from the 29th-3】0th Januar/y 2020 at\ Victoria House, Bloomsbur\y Square, 】L】ondon. Tick/et registratio/n f/or de【【signers/ and brands /can be/ found h\er【e.Share this article \ 】More /from l\ifeqD8Q

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Za8RText sizeA/aAaWh/en it comes/ to cr\ime re】porting, th【e med\i【a\&rsq/u\o;s /coverage is de【cid】edly 【human-fo】cus【ed. We tend to\ see re/p【orting on illega】【l drugs an【d weapons,\ but rarely 【on the expl\oit\ation of our 】natural resources, despit\e the fa/ct t\hat it \happen/s all over the globe a\n【d is a cri/mi】nal of/fe【】nce.【 The 【pro\blem is, environmenta\l crimes/ a】r】e hard to track and hard t【o prove.Arthur Par&eac\ute; is an envir\onmental crime/ rese/archer wh\o has ma】de it his life&rsquo【;s\ aim to co/me up with solut\ions【 to ensure pe】/rpet\rators /are】【 held accountable. Having/ grown up in Cost】a Rica, he spe】nt his c【hi/ldhood immerse【d in 】n\atur\e, and afte/r a fi】rst 【career in t\echnology and in【vestigating /money【 la】\undering/, /he de【cided\ to focus on what/ he knew best &ndash【/; preven/tin】g the d【estruction of o【\ur natural world.“I 】li【ved on the b【e/ach,/ g】oing surfing a【nd hiking /ev\er\y day,&/rdquo; he says. “Mov\ing to the urban streets of 【Paris \was a shock.&rdquo【\;Alongside a team o\f environment【al \lawyers at G&】】ea/cute;os/mi【ne/ in Pa【ris,【 Par&eacu\te; works to【 ex\pos\e c/rimes such as illegal w】ildlife// t【rade, res/ource extraction and pollution. H/is technical adv\【【isors c【onduct criminal analysis and investigations us\ing economic, huma\n and cyber int】el【ligence.【 The data they share can\ then be【 u】s】ed】 in ecological s【tudies or by the 【media to increa\se public \awar【en【e\/ss.The 】map gi\vin\g a\ 【vo/i】ce to the v/oi【】ce/le/ssParé’s latest feat is a tool called the Eco Crim/e Map, which【 allo【ws 】【an【o】】nymous】 users to \/repo/rt environmental crimes from wh/er】ever th/ey are in the worl】d. I/n many /countri】e\s, fear/ of politi\cal ret】aliation【 prevents victims and witnesses from 】repor【ting c【rimes to the\ author】ities. Hence, a map w/hich tracks eco crime in 【【real ti\me cou\ld 】change the way c】orru/ption is dealt with, by dr\awi\ng 【【a【ttenti【】on to c【rimin【/al trade routes. So f\ar - 178 crimes have been sha/red.&ldqu】【o;The g】oal is 】to】 ce\ntralise data related to envir】o/nmental cr】imes,【 o【btai】n information to comp】\are op\erating modes/ with other illicit indu】/stries 】and finally, to give a secure voice/ to the【 vi】ctims and witness\es of these c【rimes wit】hout ri】sk of reprisal】s,” /Par&eac】ute;】 tells Eu】ronews Living, pointing to t\】he map bel】ow..embed-container {position: re【lative; padding-bottom: 80%; height: 0; max-】【wid/th: 100%;} .embed-container iframe, .embed-c\ontainer object, .embed-c/ontainer iframe{posi/【【】tion: a【b【s/olute【; top: 0; left: 0; width: 100/%; he】ight:】 100%;} small{posit/ion: 】ab/solute; z-index: 40; bottom: /0; margin-bottom: -/15px;}Agrandir la carteRed is 】poac】h】in/\gOrange is pollu/tionGreen is illegal ext【raction\B/\lue is an/imal\ traffick/ingYello/w is】 s】anitaryPurpl【e is illegal loggin】gIf \an on】line i/nventory exists 【at t/he】 click /of a butt【on, Par&e\acute; hopes journal/ists, NGOs an】】【d authorities can make \use of the data and ex】pose the frigh/t【ening volume of crime/s committed.Fundamentally, it is a】 t\ool designed to allow any【one 【to sha【re, testify o【r rela/】y infor\mation that affects a territor/y, pop/ulation or animal and\ plant 】species】. \T/he information is 100% enc\rypted for s【a】fety reasons.Is being able to \rep【ort th【e【 crimes/ 】en\ough?Dr. Em\anuel【a Orlando, 【lecturer in Environmen】tal 】Law at the Univers】ity o\f Su\ssex, calls the map an “interesting initiative” saying it will potentially b【e able to address one of the】 main\ pro】blems wi【th e】co crime. “M【ost of these illegal co】nducts causi【ng h\arm【 to the/ environment are often 】【not detected by police and other l【aw en\forcemen\t agenci】es.” She adds, “indeed/, th/e/s】\e i\llegal ac【/tivi/ties te/nd to affect the most vulnerable sectors of the /society,\ su【ch as 】women or \/mino/rity communities in the poorest reg/ions.】”For /Dr. O/rl】ando, w\hile providing the】 voic\【eless with the protect】i】on of【 anonymity is \“welcome and shoul\【d/ be widely /publicised," she emphasises that】 reporting is 】only the first s/t/e\p of ma】n】y.\ &ld/quo;Environmental cri】me【s【 ar】e a qui】te complex issue, particu\l【arly when this is linked to org】anised crime.”S【he conclu\des/, &ldquo//;for】 these typ/es o/【f crimes, an effective strategy needs to rely on a strong enf\orcement /sy】stem” and in】stituti】ona/l framewo】rk to pr【operly ad\dress the corrup【tion.How many/ billi】\on\s is】 the environmenta/l crime industry wor【th?Acco/rd【ing to Europo/l/, the Eur\opean Union&rsquo/;s law enforcement agency, the 【/annual 【va/lue of tran\snati【onal\ environm/ental crime】 is】 esti【mate/d t\o be worth &\e\ur\o;63 to 192 billi】on euros annu】a】lly. In fa\ct, /en【vironmenta/l crime can/ be as pro】fitable【 as i】llegal dru【g trafficking, but the sanction】s】/ are m/】uch lower, an/d it i\s hard/\er to de】tect. These fa【ctors make it highl】】y a/ttractive for or/ganised crime groups.G&】eac】u【te;osmine calls it “/t/he most l/uc【rat\ive but least repr】essed illicit】 industry i\n the world.&rdq【uo; 【Group】【s are 【known to orchest\rate fake c】ons\【e\【rvation programmes, 】for examp\le, that waste m】illions of dollars in the process.“D/on’t b】uy pets online,” Par&eacut【e;/ /wa\】rns. “Often dogs and cats are being tra】ffic】\k】ed】 il\legally】 】and/ have been【 used for animal \testing.” Th/ere is/ /e/ven a \new industry emerg/in】g called cyber poac】hing. “This is a new me\thod of smuggl/ing which/ takes place on social medi\a and marketplaces like /Ebay or Amazon, \where iv/ory a【nd rhi/no ho/rns are being sold.”\The reason thes【e crimes a/re】 too o【ften ignored comes 】down /to fear of/ “blackmail a【nd pressure.”Phot\os took on a/ mission fo】r tigers parts traffic/king in Europe. The fangs here\/ were sold /K eachArth】u/r ParéIs environme\ntal crime \the s/ame as eco/cide?All over the world, laws are in p/lace to prevent envi\ronmental c\rimes from posing thre\】ats /to our everyday lives. From the dum//pi\ng of /\hazardous waste, to overfishi【ng/ a protec/ted speci/es or ivory\ \traf/ficking.By co\ntrast, ecocid【e is all/ ab【out /creating a legal dut/y of\ care for life \on ear】th【. It is the \ca\ll for the envir\onmen】t to be given rights, much li【ke humans, and/ was borne out【 of the disregard for rising 】sea levels and global war\ming】 ar【ound the world.Th\e St】op Ecocide 】campaign w【as \steered by barrister】 Polly Higgins, who died in Apri【l 】201【【9, and has /since been/ led by environmental a【ctivist 】Jojo Meht】a and others.If legally\ implemente/d, ecocide would】 mean that any hu】man activi/ty causing extens/ive d/amage t\o ecosystem【s 【or harmin【g th】e wellbeing of a species would become a crim【inal offense. This would mak】e chi【ef 】executives【 and government ministers, who commission\ /the destruction of the natural /wor\ld, criminal/ly liable】.Thus far, it has not yet been accepted as an int【erna】tiona】l crime\ by 】the United Nations.Unlike the il】l】egal \trade in drugs and other illicit goods, &ld】quo;natural resources are finite a】nd\ cannot 【b】e replenished in a l\ab,” 】stat【es Int\erpol【. 】“As such, there is a sense o\f】 urgency to comb\at en\vironmental c】rime.”The \Eco Crime Map is curr\ently crowdfunded and in search of sponsors to \sta【y afloat. Curre】ntly, it is av】ailable in English, Spanish and French/ an/d can be separated into six categ/ories】: po\aching, illegal extr【a\ctio/n,】 sa【nitary, pollut\ion, animal trafficking and illegal logging.Share this articl/e 【 More from lifeo8Yg

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sdWYText si】zeAaAaThere’s no \doubt about it: /art, in its many forms, is so \much mor/e than a \kind /of s】elf-【express】ion. It 】can often be【 a force for good and much-ne/eded \chan【ge. From photography t】o lively discussion and jaw-dropping footage,/ t\hese are【 the exhibitions and documentar/ies on 【climate change around the \world/ to have on your r\a/d【ar f【or May】 2019.A】r\t + Climate/ = Change FestivalWhere】: Various, Melbourne, Australia\When: Until 19 May 2019This exciting initi\ative is a month-long festi】val 】l/ooking at the way】s 】in w】hich a】rt can make\ a diffe/rence in the】 discussion around sustainabi/li】ty and climate change. This i】s/ a s【eries of curated \exhibitions, artist t【alks and lectures w【ith some o【f【 the most p\romi】nent environment and climate ch】a\nge 】scientists, psycho\lo\gists and res【earchers】 /t\hat aims to open \】【up di/s\cussi】on】 on the wa】ys in\ whi\ch art ca】n work a/【\s an a】cti】vism【 to\o【l. This will be running in Victoria,\ Australia, but /man】y of the talks will be\ filmed, mea【ning you don’t】 have to be in the country to get involve/d wi/th this excit/ing moveme\nt.More infoClimate Change: The\ F\/acts with David AttenboroughNet】work: BBC iPla【yerWhen: Ava【ila\ble /from Ap】【ril 2019If you’ve yet to w/atch \t\his grou】ndbr【eaking BB【C /docu\ment【ar】y, now&rsquo\;s the ti\me. Presented b】y\ t】he world&rsq\uo;s】 most/】【 】resp】ected wi\ldlife doc】ume\ntary m【aker, Dav】id Attenborough cuts through the fake news】 and confu/si】ng statist\ics\ to/ bring 【us the tru】th about what is \act\ually happening to】 \our environment/\. In th】is 】hour-long progr\/amme, issues s】uch as/ sp/ecies extinction【s, deforestation and extreme wea\ther a【re all tackled. Though it i【s som【ewh\at 】harrowing - and worryin】g - to w/atch, there is an /o/verall message of h/op】e:】 that we ha【ve the pow\er/ \to t【urn the tid\【e o/【f 】cli】mate chan/ge /once】 an【d for all.More infoAltered OceanWhere【: The Royal Phot/ographic【 Society, Bristol, U】KWhen: U/ntil\ 23 】June 2019According to statist【ic【s, approxim\ately 8 million\/】 pieces of 【plastic find 【】their way into \the ocean every day. Da/vi/d Attenboroug/h brought th/e i\ssue of p\lasti【c pollu\tion to the forefront b】ack in 2017 with h/is BBC documen】t\ary, Blue】 Plane【t II 【and it has now become one the major climate change /discussi】ons】 between cou\ntries and local communiti/es. 【I/】】n 【this 【pho【to series, Mandy Barke【r has doc【】】ume】nted\ her findings as】 a ph【otog】rapher travelling the world. Comb】ined wit【h resea【【r\ch n【o/tes, /sk/etchbooks and scient/ific s\amples, it combines both art andscience to p【resent a we\l/l-rou【nded exhibition that forces th\e viewer 】to confront t【he realities our oceans are fa\c\i/ng.More infoHuman/ Natu/re】W【here: Muse【um of World Cultu】re, Gothenburg, SwedenWhen: Until M\ay 2020Bringing toge\/ther 【a collection /o/f】 poignan】t photographs】, w/orks o【f 【art an】d other a】\rchived materials, the Museum of Worl/d Cul【ture has curated an exhib【\iti【on that explores the way h/uman lives ar【e di/\rectly affecting th】e planet. Looking \at/ everything from the【 things we \choose to repair and care fo\r versus those we sim/pl\/y consume, as well as sci\entific results in/ envi】ronme\ntal p【sy】chology, it&rsq】uo;s a /fascinat\ing s\tu【dy of th】e relationship between people and the \planet we call ho/me. T【hough it doe【s feed t【h\e visitor some uncomfortable truths,【 the overall m【/essage is one of //hope】, she\dding light on m/a【ny of the positive initiati/\ves tackling to redu/ce o\u\r impact and offering p/racti/cal tips that c【a【n be taken away and in\corpora【ted into 【daily life.Mor】e i【nfoCarmig【nac P\hoto】j//ou】rna】lism Award: Arctic/: New FrontierWh】ere: Sa/atch/i Gal】lery, Lond【on, UKWhen: Until 6 】M\a【y 2019Photographers Yuri Kozyrev an/d Kadir van Lohuize】n have won the S\aatchi 】Ga【ll/e\ry&rs】quo;s ninth Carmignac Photojournalism Award for the\ir project on the Arctic. Widel】y view】ed as 】one of the most enda\ng【ere】d 【ar】】eas in the world, the Arctic【 】is home to 】the Nenets - a nomadi【c】 group that make the yearly m/igration a\cross Nort【h【ern】 Russia. F【o/r \the first t【ime e】v\er, \their journey was i/nterrupted by melt/ing frost in 2018. K】ozyrev f】ollowed【【 their progress this year and bore witness 【to the impact【 t/hat global/ warming is h【avin\g on /their lifest/yle. Lohuizen,】 on the other h】【and, /visited various part\s of the【 w\orld,】 meeting with sc】ientists, envir\onmenta】lists and vulnerable com】munities /to find out ab】out the reality of/ 【what is happening to our m/elti】ng ic【e ca\p\s.\ Each photo in t\he e/xhibition shows the sta\rk reality facing t】his part o【f the world thank//】s to t\ourism, the depleti/on of gas an】d natural resources and heavy ocean p【oll/ution.More infoWords: Bianca /Barr\attShare this arti/cle 【 / More f】\rom lifeHQXP

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Eg7kT/ext siz【eAaAaTakin【g you on a jou【rne】y ac\ross t/he Yorksh/ire Dales an【d all【/ the way\ to Vanco【uver Is【land, Kate Fletcher&/【rsquo;s "Wild Dress" is an autob】iographica】l me】ander through the tende/r mom【ents wher/e clothing ha\s made her f/e【el 【embedde】d in nature. A Professor o【f su】stainability, design and【 fashi】on at the U\niversity of the Arts Lond/】o\/n; Fletch【er【 h\as】 been /a】t t】\he forefront of 【the\ c】/all for s\/ystematic change in /the fas【hion /industr【y.\ In her 【first col】lection of person【al writin】gs, \】Fletcher】 ha/s chosen t/o explore the complex and often art】ificially detached re】la/【t\ionship between the natur【al world a/nd/ what 【we\ wear.Fle/tcher looks at clothing as/ something m\ore e/ssential and far 【beyond its /si】mple【, modern, role as/ a dis】posabl【e commodity. It’s \no【t difficult to see that our c【ultural relationship with clothing has been【 】distorted by years of f/ast-movin【g/ \mo【de】rn /fashio】n t】rends but as she recou】nts the story of her【 【dad&rsquo/;s favourite jumper, there is a glimmer of some nostalgic, int】ergen/er【ational import\ance that breaks through/. Mending this dec【ade/】s-old piece of clothin/g using wool found 】in hedgerows and on fences she mus\es about this as a/ rebellious /act. “As I worked my lap felt w/arm,” she writes【, “Doing this felt like a way to live not】 j/u】st through the rules of 【modern society.&rdqu\o;Ch/arlie M\ee/chamIt’【s not just abo/ut rebell【ing \for the sake of reduci/ng w【ast/e, 】however. Fletcher rec】o【gnizes the】【 way t/hat modern out】do\or clothing i【mpos【es a kind of】 distance from the natural \world.【 The 】clothing we ch\/oose to wear becomes a divisio【n; 】farmworker vs lando【wner, recr\eatio/nal h/iker vs those \who work the land. A ne【ed for\ spe】/ci】fi【c, tec【h】no\log】ically advanced outdoor gear in b\right neon oil-based mat】erials 【is, Fletcher says, ju\st another in/dicat\ion of rampant cons\um\er \cult/ure.Th/e art installati【on teac】hing us to c【are for our/ forestsLivin/g Recomm【ends | A/ "vital tool】"\ for fighting the rising tide of si】ngle/ use plasticsL】\ivin【g Recommends 】| /No/ one is too s】mall to 【make a d【iffer】enceIt’s\ a v【ery d/\】i/fferent way to int【【roduce this/ message. Distan/t from the usual ev/ils of fast fa】sh/ion’s rapidly evolving aesthetics, she e】xp/lores the im\prac/tic/ali【ty of the always new in【 the/ face o/f the a\n】ci\ent /forces of the elements. Fletcher is【n’t preaching about all of the usual】 sust【ainab】le fa】/shion clichés but instead inviting you to think differently about how you\r/ garments can bring y】ou joy. T\he thrill o【f newness is fleeting 【but\ rich cultural relat\】】io】nships can and will【 last 【a lif//e\【time.Jack Gr\angeShunning the newness\ of n\/eoprene allows you to embrace /a\ more per/me\able【 exterior【. &/ldquo】;Once we\/&【rsquo;re there, we learn from the land and listen\ to the voic/es /of the b\irds and the \rain,” she writes, “We /give attentio】n to the unta【med parts of our【 world, in【】clud/ing that 【part in ourselves. [...] And this】 requires,】 at the least, that we make the \la】yers\ that【 \we build up 】ar【ound ourselves&【\mdash; some of wh】ich 】ar】e【 fashio【n in cloth—more permeable.&rdqu】o; Our clothing does\n&rsquo】;t alway】s have to /fo【rm】 a bar】】r【ier \between th】e inside and t】he outside, sometimes, whe】n your /&ldquo\;co】at&\rsquo;s wide sleeves grip\ onto\ t/h/\e lip o】f a gust&rdquo【】;】 o】r/ your &ldq】uo;trousers, wide-】legged act as a kite&rdq】u/o; it can \help you form \a connecti/on 】with na【tu/re.Kate Fletch/【er's Wi】ld Dress: Clothing a\nd the】 natural world is av\ailable from Uniformbooks, more \informatio】n can be fou\nd here.Share this articl/e M/ore 【from\ lifeOrG6

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xMypText s\izeAaAaAlt】hough he wa\s only born in 1984, Hung/arian G\&a//acut\e;bor M【iklós Szőke is\ al【ready a promi/】nent artist of the contempor【ary \sc【ulpture scene in Budapest/\. His main a【rtwor\k/s are public an/imal】 /sculp\tures, \noticeable for】 their “lath-style” and enor/mous si/ze. He prefers to\ work with stainless steel an/d hardwood 】ra】th/er /than traditional marble and bro【nze to give/ his art a more "mo】dern aesthetic"\.The A】tlanta Falcons recently c/ommis】sioned/ the arti\st t/o erect a giant falcon 【statu【/e in time for【 the open/ing】 of【 their n【ew Mer【cedes-Benz Stadi/\u【/m. /With a wingspan of\ /21 meters\ and a heig/ht/ of 13/ meters\, 【the mas】sive stai\nless steel sculpture \【is now the largest bird re/presen/tation in the worl【d. “Calo\/ssus” in Samo【rin \is the larges\t equine st】atue】 in \Europ【e. Other sculptures\ 】by G【ábor can be found arou/nd the world fro】\/m 】Gstaad\ to \Bahrain, 】Washi】ng\ton\ D.C. \to Niz【h/ny Novgorod. View/ this post on In】stagramMa 4 é【ve avat【tuk sz&ia/cute;vemhez egyik legközelebb álló szobromat, a 】Frad\i sa\st, Európa le【gnagyo【bb á】l】l/and&\oacute; k&o/】uml;ztéri mad&aa】cu\te;rszobr&aa】\/cute;t, am/elyet a vilá】\gon sz/in【te mindenhol】 ismernek. A】z a szeretet és b&uum/l;szkeség, amit szobromo\n \keresztül a\z&oacu【te;ta is k/apok nap, mint n\ap, felbecsülhetetle\n, 】e】zúttal kösz&】ouml;】nöm! Hajrá F【radi! ?【???【 #ftc #eag】le #hajrafra/di #gaborms【zoke 】#bud】apest #hung/aryA post shar【ed by Gabor Miklos Szoke, Art\ist (@gab/ormszoke) o\n Aug 9, 2018 at 4:25am PDTIt’s 】【not a surprise /H\ungar\/ian 【media call\】 him “H/un/gary/&rs/quo;s \coolest export” a\nd that he made it into Hungarian Fo\rbes】 Magazin】e&rs】quo;s “【T/op 10 under\/ 30&rdq\uo/; in 2015, or t/hat he has received】 numerous national and international aw【ard【s. Despit】e all the 【success at suc\h a young age, G【&aacu【te;bor never 】/forg\et【s that his sculptu/res are not just about inst【antl/y recogniz\abl】】e 】shape】s and shee\r magnitud/e. View 【this post on InstagramRise Up! /T\his mott【o【 can\ best /desc/ri/be】\ m【y sculpture\, the A/tlanta Falcon! S/he is proud, f】ree \and authoritative at the\】 same time.】 \I c】a】n't wai/t/ t【o see her again! 】???? @mercedesbenzstadium #amb】se #mbs\art #merc【edesbenzstadium #atla【ntaga/ #sbliii #【atlan】t/afalcon #touchd/own #momen【t\ #riseup #publicsculpt】ure #】arr【 #desi\gn #co【ntempor/arya/rt #gabormszok】e #\【atlantafal】con/ #at】lantafal\cons #superbowl #【superbowl【53 #sbliii #a【tlantaA post shar/ed by Gabor Miklos Szoke, Art\i】st (@gaborm【szok/e\) o】n Jan 28,】 2019 \at 8\:03am PST【We sat d/ow\n with him and Berta Hauer, his\ man\ag【er and partner, /in】 their i【mpr【essive stu/dio locate】d \in/sid\e an 【】abandoned/ /f【actory in the/ south o/f Budapest, wh\ich won the d\esign of【fice of th】e year award in Hun】gary /i\n 2016,【 t【o \ask what's the message be】hind/ his ar\t. View th【is post 】on InstagramDante Imperium Part】y in the G【abor\【 M. Szok【【e Studio ????/???】???? #】dant【eimperiu\mbrut #prenyeparty #welcometom【yworld #industria】】lparty #【gabormszoke #studiolife #sex【 #danteem】pire w】\ith @b\ertaha/uer ❤ʊ【39; 】phot/o by @gregusmateA pos/t 】/shared by 】Gabor Miklos Szoke, Arti\st (@gaborm】/szoke/) on Jan 5, 2018 】at 2\:05pm PST/When did your interest 【\/in art and sculp/ture begin?"I’ve been 【i【nvolved in crafts\ since child【hood. I a【lways drew /a l】ot and made little sculp/tu/res】. Twelve /years ag【o, I w\as a/t an art 【retr】eat wi】th\ my】\ univer】sity class\ma\tes and it \was there that I fi\rst/】 gathered w\ood planks/ and stic【ks\, a/nd rea\/liz\ed/ that it could 【actually be a pretty cool\ mean of artistic expression. It&rsq/uo;s almos】t like drawing thin【gs in spac/e【 whilst【 enablin】g you to 【mak【e massive art pieces. I quickly realized/ that this would b/e something big beca】u/se on the way back fro/m the art retreat I put the makeshift sc\ulp\ture\ 】【on top o】\f m【y car and【 /ever/yone was taking photos as I was driving【 away. So I decided to 】pursue t\his \style to make a bigger impression with my sculptu/res. It’s also a way of keeping things fr】o【m th/e past/ an\d /givin\g the【】\m a new exist\ence."What are the sustain\able methods /】a】nd p【ractices yo】u empl【oy\ in 【your a】rt?"My w\hole ar【tistic motto is /giv】ing old things new meanings, kind of 】lik】/e w【ith my stu\dio. Back in its glory days, the Manfr&e\acut】e;d Weiss Steel \and Metal Works he】re in Cse【pel【 was t【he second biggest in Europe. I’m r/eally inspired by old thin\gs because d【espit/e their age/, they tend 【to be】 mu\ch s【turdier【 than】 new ones.""Whe/neve\r I ca】n, I\ create my art from reused materials, tar\ a【nd found objects. Ten years ago around Chri\s【tmas time 】I】 was lef\t with a \lot 】of wood 】that I wou\ldn’t/ n\eed【 in the coming ye】ar. S】】o, in/stead\ of throwing it 【al/l out, I made l/ittle Christmas tree sculpt【ures and sold【 them. Since then, it /has become a/ 】traditi】on and I always do this around Christmas 】ti\】me】. 【On】 the o【n/e h/and, /nothing gets thrown away \and on the other it saves thousands of 【pine t\rees bec/ause 【people\ who【 buy my “trees” won’t be buy/ing real one】s for ma】ny years to come." View 【/this p\ost on InstagramChristmas gift 【alert/: My new X【mas】/ trees are out, save a tree and buy some/ a【rt☝️more/ i\nfo】r\mation/ 【on the /web】site, \click \on BIO;\)/??A post s/hared by Gabor Miklos Szoke, Arti/st (【@gabormszoke)\ on Nov 16, 201】8 at 【7:25am P】ST"Enviro\nmental a】wareness in ge/neral is 【something\ that/【 is very 】important for Berta an】d m【【/yself. B】ack in 20/10, righ【t /a\fter fi\nishing my s【tudie/s, I represented Hungary at a/n/ 】international art\ comp】etition o\rganized by th\e【 Collegiu】m Hungaricum Vienna. The th\eme was the Dan】ube Ri/ver. Unfortunately, &ld】quo;civilization” ha\s dec/imated the once v/ibra\nt river an\d turne\d it i】nto an oily, contaminate【d smu/dg/e. In \the Danube River, the sturg】eon is on the brink of extinction. Th】ese f/i【sh are e【xtremely sensit/ive to】 environmental p【re】ssures, making the\m/ valuable indicators for healt【hy【 rivers. To\ emphasize how dire the situation \is, I ga【\thered pla\stics and debris f【rom the Dan【ube to create "The Last Stu/rgeon" piece. These m/at【eria【ls, the manner of\ formulation, the fish&r【】s【quo;s f【ractured ski/n – all this re/fers to】 its unnatural 】way of perishing an/d \calls 【on the viewer to take greater responsib/ilit【y/ for our h】【itherto ne\gligent attitudes towards the species t【hat sh【are t【his planet 】with us【.""T\he Last /St】urgeon" sculpture in【 ViennaSoc\ial \responsibility\ in general is of great importance to 【you. What ar】e some of the\ most press\ing cause/s fo】r you c】urrently? How do you address them in your a】rt and what else are you【 doing 【to fight for th\】em?"In 2014, 】I wa/s// as/ked to create a symbol for t】he Tollwood F】esti\val in Munich/. This festival is k】n】own fo】r its stance \on envi\ronmental and /ani/mal 】welfare issues. T\hat year the f【\ocus was】 on the \ter】rible conditions endured by fa/rm animals 】so I create】d the “【Sad P【ig”, a gi/ant p【i【g statue t】hat i】s】 far too】 big for the nar/row ste\el cage it is forced to live in. A】【t that ti/me, Munich【 had/ the/ hi【】ghest pork consump\tion in\ all of/【 Europe/ so I \wa\nte】d to r\aise awareness about the animals’ t/ragic fates.""Sa】d Pig"/ at\ Tollwo】od Festival/"Sa【d Pig\" at Tollwood Festival"Also, I try【 to 【do/ what I ca/n for disadva】nta】ged a\】n\d minority communities /here\ in Hungary.\ In【\ 2012 I】/ took part in【 the c】haritable Hello Wood】 art camp/. I d\ec\id/ed to create a tot\em animal in the /form of a “Guardian Tiger” for one of th/e】 poorest v/illages in/ th【【e country, where m】ost members belong to the Roma /mino\rity. The villa//ge endured many hardships and muc】h violence in the pa】st】 】but with the【/ arrival o【f this/ 【“guardian】”】 came media attention and with】 \t【hat, 】g\overnment funds to raise the\ standard of 【/living in this villa/【ge. Th【e villagers love this tiger, t\ake great care/】 【of it, and 】or】ganiz】e an an【nua/l "Tig\er Festi】val". Seeing all this positive \im\pac\】t was one of 【the/ most touchin【g m/oments for me. By do【ing good, good】 cam/e \back to me a】s well because it was this project /t】hat g/ot【 【me global media \attention.""The Guard】ian Tiger【" sculpture"Af】ter the “Guardian Tiger&r【dquo;, the authorities】 of similarly disadvan】taged/ 】lo】c【ales\ started to g/】et in touch with me to brighten up/ the lives of thei\r citizens 【through art【. In 20【13】,【 I installed a guardi/an unicorn in the f【orest near t】he Russian town】 of Vyksa\,/ known for being the largest manufacturer of steel welde\d pipes and railway wheels 【in Russia. The magical creatu】r【e rem/in\ds pe【opl【e that you can be an individual even in a glum, i\ndustrial town. A \si】milar colourful unicorn was create\d the same year in Kazi【ncbarcika, an i\ndu】strial tow\n in Hungary full of apartments' blocks. Lo/cals really【 l\o\ve this 【】unicorn and pla【nt pretty fl【owers on】 the roun\【dabout on which it&rs】quo;s l/ocate\d. I eve【n think that\ one year it won the country&rsq】uo/;s 'Prettiest Roundab\out' award!/""Rainbow Unico【r\n""\I find i/t ve\ry im\portant to improve the visual 】culture of kids so】 that the coming generations kno】\w/ how 】to app】reciate and preserve beauty】. Th【e Hungar】ian town of Érd commis\sioned /\me to bring【 life to local k\ind\ergarten building/s and I d【ecided to get t【he\ ch】ildren in】volv/ed【 by encouraging them to take part in the brainstorm【/in/g process. I 【as】ked them questions like\ what they dreamt of, what th【eir f/avorite】 animals were, et/c. and together we create\d friend】ly animals all around\ the kindergarte】ns./"The Kinder/gart】e】n Project/Eva Szombat"In general, I beli【eve the sculptures in pub/li【c spaces affect 】p/eople&rsqu【o;s l/【ives no matte/r wher【e they are. And 【】as【 for【 【my wo/r/ks, they a\re a【lways\ exactly】 whe【re \they ne】ed to 【be and t/hey always somehow refle/ct and connect to/ the place they are in."Ho/w, in your opinion, does art he】lp】 raise awareness about impor/ta\n\t\ issues\ like a】nimal welfare an/d climate/ ch】a\nge?"In t【erms /of PR and communications, you can do a lot of messagin】g. 【I/ cre】ated a rhino sculp/】ture 【\for the Budapest Zoo in 2013 and it’s a re【curring th\】eme for me. Every ye】ar\ I p/ost a ph】oto of it an/d rem】ind my\ fol】\low\ers/ that this year there are a lot/ fewe】r of t】hem l/ef【t in the wild than the year b/efore." 【View this post on I\nstagra/mVisitin/g Sanyika【 a【t th【e Bartha Factory ?/?@tomi.bartha #【Sa\nyika #Sa】nyib&aacut】e;csi #rhino #rhino/ceros #wild\life #be/echwood #\【sculpt】ure #bigb/oy #gabormiklosszoke #габ【086; 】88;l【4;&【#【1080;клошсё 】82;еA post shared by Gabor Miklos Szoke,\ Artist (@gabo【rmszoke) on Mar 3, 【2016 at 1:20】pm P\ST\"I try to stick /to the animal t】heme /not \only【 be/cause they&rsqu】o;re a cool s【hape【 but because there’s an【 underlying message/ I /【usually want to get across with eac】h work. Because t【he】y are mostly/ on display in public 【】spaces it helps reac/h al/l ag【e grou】ps and social backgrou/nd【s and \ref】lect on the role an】imals pla/y in our lives."Share this article More\ 【from l/ifeJpzJ

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